Video Industry Sees Optimism Amidst Rationalisation, the Continued Importance of Asian Content and AI Everywhere

SINGAPORE, Apr 1, 2024 – (ACN Newswire) – The Asia Video Summit, the marquee conference for the video industry, kicked off in Hong Kong this year from 13 – 14 March, as part of the HK Entertainment Expo.

The Summit opened with an overview on the state of video in Asia, and how scale had redefined the industry. Vivek Couto, Executive Director, Media Partners Asia, shared that the ecosystem had changed, and a new pecking order was in place, with the global digital giants dominating video action in APAC, with a total video and screen revenues of US$24.4B coming out of Asia in 2023.

Global demand for premium Asian content continued to grow substantially, with 1.4B active unique users worldwide consuming almost 14B hours of Asian content in 2023, equivalent to a global average of 9.9 hours per user. Asian content also drove significant viewership and acquisition in APAC, with Korean, Anime and Chinese content coming up tops. Couto also shared that Chinese short form drama may be the next big thing, with the domestic market having grown to half a billion in 2023.

For Karen Fu Binxing, CEO of Huace Group, one of China’s largest content producers, the increasing interest in Chinese content overseas filled her with optimism on the rise of Chinese content, with a view to focus more on international cooperations. Fu also added that AI was unstoppable and would bring changes to all aspects of production and broadcasting trends in the content industry.

Wang Yangbin, CEO, Vobile, similarly added that generative AI was a new frontier but believed that the core value of the ecosystem were the rights and the intellectual property, both of which needed to be protected effectively for the industry to grow. However, for Michael Kwan, Senior IP Enforcement Advisor, TVB, AI was very much seen as a double-edged sword, with both pirates and companies using AI to achieve their goals, and infringers using AI to automate piracy and bypass site blocking mechanisms.

AI as a topic came up organically throughout the summit. Kelvin Yau, President, APAC and Overseas Marketing, International Business Department, iQiyi, talked about the use of technology across the company to help the business.  By listening to social trends, AI enabled social media posts to be done quickly, to help promote their shows and satisfy what people were curious about. “It was a sprint race before, now it’s a marathon. How do you win the marathon in keeping the pace, changes the whole game,” said Yau.

James Gibbons, President, Asia Pacific, Warner Bros. Discovery, stressed the importance of focusing on both growth and profitability for streaming in APAC. Gibbons also added that the reason the pay TV model worked so well was due to its dual revenue streams, and this needed to be recreated for streaming. The fact that advertising in a premium video environment lagged so far behind social and UGC video platforms was a huge issue for the industry, and hence it was incredibly important that people who had an investment in premium video came together to solve this issue.

Phil Hardman, SVP & General Manager, Asia, BBC Studios, highlighted the need for curation and aggregation of content, and felt the term pay TV was becoming redundant. Avi Himatsinghani, Founder & CEO, Rewind Networks, also said that it was all converging together, with linear services aggregated alongside streaming services. “We have to reinvent and work harder to make the narrative come alive,” added Himatsinghani.

For sports platform, beIN Media Group, now was a period of rationalisation. “It’s about carving out your niche and finding a sustainable model which can be profitable, and building scale through partnerships,” said Mike Kerr, MD, Asia. “The players that are left standing understand the value of sports and how to manage it from a consumer perspective.” However, with piracy taking US$30B out of the ecosystem it was not sustainable, and the industry needed to come together to combat it, added Kerr.

Closing off the Summit, Alexandre Muller, MD, APAC, TV5MONDE, said that the region needed to listen to local audiences and deliver what they want, and not listen to all the noise coming out of the US. “Asia is Asia, we need to follow our own path and find the right equilibrium among ourselves,” said Muller. “The world is just waking up to the great content that is coming out of Asia,” added Phil Hardman.

The Asia Video Summit 2024 is proudly sponsored by Lead Sponsor Create Hong Kong (CreateHK) of the Government of the Hong Kong Special Administrative Region; Gold Sponsors AsiaSat, Bango, InvestHK, Publica, TV5Monde, Vobile, Warner Bros. Discovery; Silver Sponsors France24, Paramount and Bronze Sponsor A+E Networks

Visit the event website and gallery for more information and photos from the Summit.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

For media enquiries and additional background please contact:
Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
LinkedIn: www.linkedin.com/company/asiavideoia | Twitter: @AsiaVideoIA



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

2024 Australian IT Journalism Awards Winners Announced

SYDNEY, AU, Mar 25, 2024 – (ACN Newswire) – ABC News and David Swan, technology editor of The Sydney Morning Herald and The Age have walked away with the “Gold Lizzies”, taking the top honours at the 22nd Annual Samsung IT Journalism Awards.

Produced by media intelligence platform Influencing, the Awards recognise the most outstanding journalists and outlets covering technology in Australia each year.

This year our event’s new home at Doltone House in Jones Bay Wharf played host to around 300 guests and sponsors, with the harbour providing a stunning backdrop for red carpet arrivals & cocktails from 6.30pm.

Below – Marc Fennell of the ABC with Graeme Philipson Best Columnist winner Jackson Ryan on the red carpet.

(Event Photos by Elly at Fluential Studio / fluential.au)
(Event Photos by Elly at Fluential Studio / fluential.au)

Free to enter, and predominantly peer-judged, these awards are only possible thanks to our Name Sponsor Samsung Australia, our lifelong event partners at Watterson, our partners Amazon Web ServicesOptusCiscoNetApp, the Australian Computer SocietyMeta, our design & print partners Canva and our Official Gin Sponsor Aussie Broadband.

With 23 categories contested by 140 entrants, the awards were as closely fought as they have ever been. This year The Age and Sydney Morning Herald’s David Swan and ABC News have taken home the top awards known as the gold Lizzies, taking home Best Journalist and Best Title respectively.

This was the third win for both parties. David Swan also scored the trophy for Best Technology Journalist and Best Telecommunications Journalist with a highly commended in the Best Technology Issues category. 

Meanwhile ABC News also took home Best Gaming Coverage and Best News Coverage in addition to their Best Title win. The ABC team is pictured below with our Naming Rights sponsor Samsung Australia.

Left to to right: Julian Fell (ABC); Ben Spraggon (ABC); Matea Rojas, Head of Corporate Communications at Samsung Australia; Gianfranco Di Giovanni (ABC) and Jackson Ryan.

(Event Photos by Elly at Fluential Studio / fluential.au)
(Event Photos by Elly at Fluential Studio / fluential.au)

“Once again, the Samsung Australian IT Journalism Awards proved what a special event it is – it is remarkable that even after 22 years it continues to grow in importance and stature,” said Influencing CEO and show host / MC Phil Sim (Pictured below presenting this year’s Pioneer of IT Media to industry veteran Len Rust).

“Our 2024 awards once again served their mission. Primarily, that is to recognise excellence in technology media and journalism, with the ambition that it inspires journalists to rigorously investigate and report on critical technology-related issues faced by the world today.”

“However, it is also about bonding the community – it is the one event that brings together technology journalists, and the people they work with, to renew friendships and build new ones, and with more than 280 people in attendance, it certainly achieved that again.”

(Event Photos by Elly at Fluential Studio / fluential.au)
(Event Photos by Elly at Fluential Studio / fluential.au)

We would like to once again thank all our sponsors for their support; the community of media communications professionals who choose to join in support of the event each year, and of course all our entrants, finalists and winners at this year’s Samsung Australian IT Journalism Awards.

The complete list of winners and highly-commendeds is below. Thank you everyone for making the event special, we look forward to bring this event to you again in 2025.

2024 IT Journalism Award Winners

Alicia Camphuisen Best New Journalist
Petra Stock
HC: Emily Spindler-Carruthers 

Best Security Journalist
David Swan
HC: Patrick Gray

Best Technical Journalist
David Braue
HC: Jeremy Nadel

Best Gaming Journalist
Fergus Halliday
HC: Daniel Van Boom

Best Gaming Coverage
ABC News
HC: GamesHub

Paul Zucker Best Technology Industry Journalist
Jessica Sier
HC: Nick Bonyhady

Best Game Reviewer
Edmond Tran
HC: Amanda Yeo

Best Technology Reviewer
John Davidson
HC: Alex Kidman

Best Technology Issues Journalist
Ariel Bogle
HC: David Swan, Julian Fell

Pioneer of IT Media
Len Rust

Best Short Form Content
Tobias Venus
HC: Cam Wilson

John Costello Best Business Technology Journalist
Justin Hendry
HC: Paul Smith

Best Business Coverage
The Australian Financial Review
HC: Mi-3

Best Consumer Technology Coverage
The Age & Sydney Morning Herald
HC: SmartCompany, Canstar Blue

Best News Coverage
ABC News Story Lab
HC: The Age & Sydney Morning Herald

Graeme Philipson Best Columnist
Jackson Ryan
HC: Paul Smith

Cass Warneminde Best News Journalist
Ariel Bogle
HC: Andrew Birmingham, Joseph Brookes, David Braue

Best Independent Media
Checkpoint Gaming
HC: The Martech Weekly, Player2

Helen Dancer Best Consumer Technology Journalist
Alex Kidman
HC: Fergus Halliday

Best Audio Program
Risky Business
HC: Download This Show, Debunks

Best Video Program
SBS 
HC: Tobias Venus

Best Telecommunications Journalist
David Swan
HC: Paul Smith

David Hellaby Best Media Relations
Salvatore Di Muccio
HC: Angela 

Best Corporate Content
David Braue
HC: Huntley Mitchell

Gold Lizzie: Best Journalist of the Year
David Swan

Gold Lizzie: Best Title of the Year
ABC

About Samsung Australian IT Journalism Awards

Known affectionately as The Lizzies and held every year since 2003, the Australian IT Journalism Awards acknowledge the most outstanding journalists and outlets covering technology in Australia each year. Content, Journalism, Beat/Vertical and Media Relations – there are 21 separate awards, plus our two special categories: Title of the Year, currently held by the Australian Financial Review; and Journalist of the Year, currently held by David Braue. Ensuring audiences have an accurate, balanced & accessible understanding of technology is critical for Australia’s future commercial growth. The peer-judged awards advance this cause each year, by publicly identifying and encouraging good tech journalism. https://www.thelizzies.com/

Media Contact:
Mike Woodcock
Chief Commercial Officer
Influencing & the Mediaconnect Group
www.Influencing.com
mike@mediaconnect.com.au / mike@Influencing.com
O: +61 2 9894 6277
M: +61 411 969 248

Follow #Lizzies or #Lizzies24 on Instagram & Twitter



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Lizzies 2024: Finalists & Final Updates

SYDNEY, AU, Mar 21, 2024 – (ACN Newswire) – The 2024 Samsung Australian IT Journalism Awards are finally here! This Friday from 6.30 our new venue at Doltone House on Jones Bay Wharf will play host to this annual event celebrating Australia’s leading technology journalists, publishers and media partners at this year’s Night of Nights.

As ever, these awards are only possible thanks to our Name Sponsor Samsung Australia, our lifelong event partners at Watterson, our partners Amazon Web Services, Optus, Cisco, NetApp, the Australian Computer Society, Meta, and our Official Gin Sponsor Aussie Broadband.

(Above: WhistleOut with last year's Best Consumer Technology Coverage award)
WhistleOut with last year’s Best Consumer Technology Coverage award

Dates, Times, Dress code

For everyone attending the awards this Friday March 22nd, here’s some essential housekeeping –

Date: Friday March 22nd from 6.30pm
Venue: Doltone House, Jones Bay Wharf, Sydney
Dress Code: Black Tie / Dress to theme
Best Dressed Theme: Sequins and Sparkles
Socials: #Lizzies, #Lizzies24

Late RSVP’s and tickets

If you have an urgent query, RSVP, or late ticketing enquiry, please email Mike@Influencing.com ; or contact Donna@Influencing.com

Cisco Webex Livestream

Big thank you to Cisco for assisting the livecast of the event for those who can’t make the trip to Sydney. This has been something we’ve done since Lockdown (remember that?), and our online audience keeps growing each year.

Cisco’s Director of Public Relations and Communications Cori Moran: “Cisco is once again proud to support the Lizzies this year – the best recognition and celebration of the IT Journalism industry. We are pleased to enable connections through Webex that will allow anyone to join the celebration from anywhere. Congratulations to all the finalists!”

The livestream will go live from 7.45pm on Friday for all the award coverage, with the first award live from 8pm. Your link for that viewing stream is here. (Remote finalists will be sent a separate email with instructions for following along and joining live presentations.)

Full Finalists List – Support Your Favourite Outlets!

Thank you again to everyone who entered this year’s awards. The standard keeps rising year after year, a glowing testament to the abilities of Australian technology journalists. In acknowledgment of that we’d like to reaffirm this year’s list of finalists, and wish every the best of luck!

ABC's Marc Fennell, of 2023's Best Outlet with Download this Show on ABC Listen
ABC’s Marc Fennell, of 2023’s Best Outlet with Download this Show on ABC Listen

Finalists – Coverage Awards

Best News Coverage
ABC News Story Lab, AFR, ARNNet, Capital Brief, Digital Nation, GadgetGuy, Games Hub, Gizmodo Australia, Information Age, InnovationAus, iTnews, Mi-3, Reseller News, Reviews.org/au, Safewise, SmartCompany, The Age & Sydney Morning Herald

Best Business Coverage
AdNews, AFR, Capital Brief, CRN, Digital Nation, Information Age, InnovationAus, iTnews, Mi-3, SmartCompany

Best Consumer Technology Coverage
Canstar Blue, Explosion Network, GadgetGuy, GamesHub, Gizmodo Australia, Lifehacker Australia, Reviews.org/au, SmartCompany, The Age & Sydney Morning Herald, WhistleOut

Best Independent Coverage
AlexReviewsTech, BTTR, Checkpoint Gaming, Craving Tech, Explosion Network, Gamer Girl Journalist, High Performance Laptops, Pickr, Player2, SIFTER, SMB Tech, Stevivor, SuperJump, The Martech Weekly, Vertical Hold

Best Gaming Coverage
ABC News, Checkpoint Gaming, Explosion Network, GadgetGuy, GamesHub, IGN Australia, Kotaku Australia, Lifehacker Australia, Player2, Reviews.org/au, Stevivor, SuperJump, The Game Crater

Best Video Program
ABC Gamer, Chris Stead, Good Game Spawn Point, SBS, Tobias Venus, Women Love Tech

Best Audio Program
Checkpoint on JOY, Debunks, Digital Nation, Download This Show, Hello AI Overlords, KBKast, Mi3 Audio Edition, PocketBuds, Risky Business, The Business of Tech, The Wrap, Vertical Hold, Walkthrough by SIFTER, We Review Stuff

Beat Awards
John Costello Best Business Journalist
Andrew Birmingham
Athina Mallis
Chris Pash
Christopher Kelly
Jeremy Nadel
Justin Hendry
Liam Tung
Paul Smith
Rob O’Neill
Ry Crozier
Tess Bennett
Velvet-Belle Templeman

Paul Zucker Best Technology Industry Journalist
Andrew Birmingham
Daniel Van Boom
David Swan
Eleanor Dickinson
Eloise Keating
Jessica Sier
Nick Bonyhady
Paul Smith
Rob O’Neill
Simon Sharwood
Tess Bennett
William Maher

Helen Dancer Best Consumer Technology Journalist
Alex Choros
Alex Kidman
Alice Clarke
Chris Neill
David Braue
Fergus Halliday
James Purtill
Jarni Blakkarly
Josh Taylor
Tegan Jones
Zachariah Kelly

Best Gaming Journalist
Amanda Yeo
Daniel Van Boom
Elliot Attard
Emily Spindler-Carruthers
Fergus Halliday
Gianfranco Di Giovanni
Isaac McIntyre
Jack Ryan
James Cottee
Leah Williams
Matthew Hewson
Ruby Innes

Best Telecommunications Journalist
Alex Angove-Plumb
Alex Choros
David Braue
David Swan
Josh Taylor
Mariam Gabaji
Paul Smith
Rob O’Neill
Ry Crozier
Simon Sharwood
Tara Donnelly

Journalism Awards
Alicia Camphuisen Best New Journalist
Ashley Regan
Brandon How
Christie Graham
Christie McQualter
Courtney Borrett
Dylan Crismale
Emily Spindler-Carruthers
Hannah Geremia
Julian Fell
Ky Stewart
Lauren Rouse
Petra Stock
Ruby Derrick

Cass Warneminde Best News Journalist
Andrew Birmingham
Ariel Bogle
David Braue
David Hollingworth
David Swan
Eloise Keating
Georgia Dixon
Jason Pollock
Josh Taylor
Justin Hendry
Paul Smith
Tegan Jones

Graeme Philipson Best Columnist
Bronwen Clune
Cam Wilson
Casey Tonkin
Chris Griffith
Jack Ryan
James Riley
Luke Reilly
Paul Smith
Simon Sharwood
Tegan Jones
Tim Biggs

Best Security Journalist
Amanda Yeo
David Braue
David Hollingworth
David Swan
Hannah Geremia
Leigh Stark
Leonard Bernardone
Patrick Gray
Paul Smith
Thomas Uren

Best Technology Issues Journalist
Ariel Bogle
Cam Wilson
Daniel Van Boom
David Swan
Jack Ryan
Jarni Blakkarly
Jennifer Dudley-Nicholson
Jessica Sier
Josh Taylor
Julian Fell
Sam Nichols
Tess Bennett

Best Technical Journalist
Adam Turner
Alex Kidman
Alice Clarke
Amanda Yeo
Casey Tonkin
David Braue
Jeremy Nadel
Leigh Stark
Neerav Bhatt
Petra Stock
Tara Donnelly
Zachariah Kelly

Best Gaming Reviewer
Alice Clarke
Amanda Yeo
Christie McQualter
David McNamara
Edmond Tran
Fergus Halliday
Jam Walker
James O’Connor
James Wood
Leah Williams
Luke Reilly

Best Technology Reviewer
Adam Turner
Alex Choros
Alex Kidman
Alice Clarke
Anula Wiwatowska
Chris Button
John Davidson
Leigh Stark
Nick Broughall
Nick Ross
Rae Johnston
Rose Jordan
Zachariah Kelly

Best Short Form Content
ABC Gamer
Cam Wilson
Frances Cook
Gizmodo Australia
Jack Ryan
Kotaku Australia
Lifehacker
Naomi Jackson
Quest Daily
Safewise Australia
The Game Crater
Tobias Venus
WhistleOut

Content & Media Relations Awards
Best Corporate Content
David Braue
Huntley Mitchell
Kathryn Goater
Matt Hopkins
Nick Ross
Velvet-Belle Templeman

David Hellaby Best Media Relations
Adela Amanowicz (Cisco)
Angela Coombes (NetApp)
Doug Johns (Power Up PR)
Justin Stolarski (Optus)
Mike Foley (Five Star Games)
Oisin O’Callaghan (Watterson)
Salvatore Di Muccio (WellAbove)

About Samsung Australian IT Journalism Awards

Known affectionately as The Lizzies and held every year since 2003, the Australian IT Journalism Awards acknowledge the most outstanding journalists and outlets covering technology in Australia each year. Content, Journalism, Beat/Vertical and Media Relations – there are 21 separate awards, plus our two special categories: Title of the Year, currently held by the Australian Financial Review; and Journalist of the Year, currently held by David Braue. Ensuring audiences have an accurate, balanced & accessible understanding of technology is critical for Australia’s future commercial growth. The peer-judged awards advance this cause each year, by publicly identifying and encouraging good tech journalism. https://www.thelizzies.com/

Media Contact:
Mike Woodcock
Chief Commercial Officer
Influencing & the Mediaconnect Group
www.Influencing.com
mike@mediaconnect.com.au / mike@Influencing.com
O: +61 2 9894 6277
M: +61 411 969 248

Follow #Lizzies or #Lizzies24 on Instagram & Twitter



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Spikes Asia announces 2024 winners including the Special Awards and Young Spikes Competition winners

Singapore, Mar 14, 2024 – (ACN Newswire) – Spikes Asia, APAC’s most prestigious and sought-after award for creativity and marketing effectiveness, has revealed the Grands Prix and Special Award winners for 2024 this evening.

Australia saw the highest number of Grands Prix at eight, including five Grands Prix for ‘FitChix’, for Honest Eggs Co., entered by VML, Melbourne. Japan took home six Grands Prix, including three for ‘My Japan Railway’, for JR Group, by Dentsu Inc, Tokyo, in Industry Craft, Digital Craft and Direct. In its inaugural year, the Gaming Spikes Grand Prix was awarded to the Philippines for ‘Unbranded Menu’, for McDonald’s, entered by Leo Burnett, Manila.

Speaking about the Winners, Simon Cook, CEO, LIONS, said: “Congratulations to our 2024 Spikes Asia Award winners. What an exciting time for creative marketing in this very special part of the world. This region continues to be a creative powerhouse, and this is reflected in the body of work awarded by our expert Juries this year. The breadth of the winners showcases the region’s collective effort to elevate the role of creativity in driving business performance and positive change in the world. Thank you to our wonderful Jurors, for setting the creative standard for the year ahead.”

Jaime Ng, Festival Director, Spikes Asia, added: “We’re excited to announce the 2024 Award winners for Spikes Asia, after a fantastic event this week. This year we brought the APAC community together to network, learn and be inspired by the rich mix of speakers and champions for creativity in the region. There are lots of exciting shifts taking place in APAC and we look forward to exploring the insights and trends from this year’s work in the Spikes Asia Creativity Report. This report will also provide the official rankings for this year’s top performing Networks, Agencies and Companies from across the region.”

This year’s Grand Prix winners are:

Brand Experience & Activation

From 423 entries received, 35 Spikes were awarded: 4 Gold, 12 Silver, 18 Bronze and the Grand Prix that went to ‘FitChix’, for Honest Eggs Co., by VML, Melbourne, Australia

Creative Commerce

From 61 entries received, 5 Spikes were awarded: 1 Gold, 2 Silver, 1 Bronze and the Grand Prix that went to ‘FitChix’, for Honest Eggs Co., by VML, Melbourne, Australia

Creative Data

From 35 entries received, 5 Spikes were awarded: 1 Gold, 1 Silver, 2 Bronze and the Grand Prix that went to ‘Lay’s Smart Farm’, for Lay’s, by Leo Burnett, Mumbai, India

Creative Effectiveness

From 46 entries received, 5 Spikes were awarded: 1 Gold, 3 Bronze and the Grand Prix that went to ‘The Last Performance’, for Partners Life, by Special, Auckland, New Zealand

Creative Strategy

From 181 entries received, 15 Spikes were awarded: 2 Gold, 4 Silver, 8 Bronze and the Grand Prix that went to ‘The First Digital Nation’, for The Government of Tuvalu, by The Monkeys, Part of Accenture Song, Sydney, Australia

Design

From 124 entries received, 12 Spikes were awarded: 3 Gold, 3 Silver, 5 Bronze and the Grand Prix that went to ‘Untangling The Politics Of Hair’, for STIR, by FCB India, Gurugram, India

Digital Craft

From 59 entries received, 5 Spikes were awarded: 2 Silver, 2 Bronze and the Grand Prix that went to ‘My Japan Railway’, for JR Group, by Dentsu Inc, Tokyo, Japan

Direct

From 234 entries received, 15 Spikes were awarded: 2 Gold, 5 Silver, 7 Bronze and the Grand Prix that went to ‘My Japan Railway’, for JR Group, by Dentsu Inc, Tokyo, Japan

Entertainment

From 134 entries received, 10 Spikes were awarded: 1 Gold, 3 Silver, 5 Bronze and the Grand Prix that went to ‘Perfect Days’, for Perfect Days, by Mount / Dentsu Inc, Tokyo, Japan

Film

From 370 entries received, 25 Spikes were awarded: 4 Gold, 7 Silver, 13 Bronze and the Grand Prix that went to ‘Sammakorn Not Sanpakorn’, for Sammakorn, by Choojai and Friends, Bangkok, Thailand

Film Craft

From 327 entries received, 34 Spikes were awarded: 6 Gold, 8 Silver, 19 Bronze and the Grand Prix that went to ‘This is Footy Country’, for Telstra, by The Monkeys, Part Of Accenture Song, Sydney, Australia

Gaming

From 55 entries received, 5 Spikes were awarded: 1 Gold, 1 Silver, 2 Bronze and the Grand Prix that went to ‘Unbranded Menu’, for McDonald’s, by Leo Burnett, Manila, The Philippines

Glass: The Award for Change

From 20 entries received, 2 Spikes were awarded: 1 Glass Spike and the Grand Prix that went to ‘Right to Care’, for Quenzon City Gender and Development Council, by MullenLowe Treyna, Makati City, the Philippines

Grand Prix for Good

The Grand Prix for Good was awarded to ‘Shift 20 Initiative’, for Shift 20 Initiative, by Special, Sydney / Dylan Alcott Foundation, Melbourne, Australia

Healthcare

From 118 entries received, 12 Spikes were awarded: 2 Gold, 4 Silver, 5 Bronze and the Grand Prix that went to ‘FitChix’, for Honest Eggs Co., by VML, Melbourne, Australia

Industry Craft

From 79 entries received, 7 Spikes were awarded: 1 Gold, 2 Silver, 3 Bronze and the Grand Prix that went to ‘My Japan Railway’, for JR Group, by Dentsu Inc, Tokyo, Japan

Innovation

From 26 entries received, 4 Spikes were awarded: 1 Gold, 1 Silver, 1 Bronze and the Grand Prix that went to ‘Shellmet’, for Koushi Chemical Industry Co., Ltd., by TBWA\HAKUHODO INC., Tokyo, Japan

Integrated

From 33 entries received, 3 Spikes were awarded: 2 Silver and the Grand Prix that went to ‘FitChix’, for Honest Eggs Co., by VML, Melbourne, Australia

Media

From 203 entries received, 16 Spikes were awarded: 2 Gold, 5 Silver, 8 Bronze and the Grand Prix that went to ‘Newspaper For “Lettuce Preservation”’, for「COOKDO®︎」, by Dentsu Inc, Tokyo, Japan

Music

From 60 entries received, 6 Spikes were awarded: 1 Gold, 2 Silver, 2 Bronze and the Grand Prix that went to ‘Megh Santoor’, for Brooke Bond, by Ogilvy, Mumbai, India

Outdoor

From 183 entries received, 14 Spikes were awarded: 3 Gold, 3 Silver, 7 Bronze and the Grand Prix that went to ‘FitChix’, for Honest Eggs Co., by VML, Melbourne, Australia

PR

From 184 entries received, 17 Spikes were awarded: 2 Gold, 5 Silver, 9 Bronze and the Grand Prix that went to ‘Correct The Internet’, for Team Heroine, by DDB New Zealand, Auckland, New Zealand

Print & Publishing

From 48 entries received, 4 Spikes were awarded: 1 Gold, 1 Silver, 1 Bronze and the Grand Prix that went to ‘Seal Alarm’, for The Times of India, by VML / Wunderman Thompson, Mumbai, India

Radio & Audio

From 43 entries received, 5 Spikes were awarded: 1 Gold, 1 Silver, 2 Bronze and the Grand Prix that went to ‘Guide Play’, for JBL, by BLKJ HAVAS, Singapore

Social & Influencer

From 143 entries received, 11 Spikes were awarded: 2 Gold, 3 Silver, 5 Bronze and the Grand Prix that went to ‘Correct The Internet’, for Team Heroine, by DDB New Zealand, Auckland, New Zealand

Spikes Asia Special Awards were given as follows:

Asia-Pacific Agency of the Year

1. Dentsu Inc, Tokyo, Japan
2. VML, Melbourne, Australia
3. The Monkeys, Part of Accenture Song, Sydney, Australia

Independent Agency of the Year

1. Special, Sydney, Australia
2. Choojai and Friends, Bangkok, Thailand
3. Special, Auckland, New Zealand

Network of the Year

1. dentsu
2. VML
3. Accenture Song

Media Network of the Year

1. Mindshare
2. Wavemaker
3. Starcom

Spikes Palm

1. Exit Films, Australia
2. Revolver, Australia
3. Spoon, Japan

Strategy & Effectiveness Agency of the Year

1. The Monkeys, Part of Accenture Song, Sydney, Australia
2. Special, Auckland, New Zealand
3. Colenso BBDO, Auckland, New Zealand

Young Spikes Competition winners are as follows:

Digital:

Gold
‘Save Singapore’
Amaya Suriyapperuma & Arqam Anjath
Loops Integrated, Sri Lanka

Silver
‘Feel What We Feel’
Anggani Sekar Astuti Hardani & Mbarep Arya Warigalit
Bikin Ide Kreatif, Indonesia

Bronze
‘How is the weather inside?’
Kim Sae Young & Kang Ji Hye
ptkorea, South Korea

Integrated:

Gold
‘GIRLS OWN CHOICE’
Flavia Wang & Noah Song
Mindshare, Mainland China

Silver
‘All You Can Dream’
Nellia & Davin Susanto
Future Creative Network, Indonesia

Bronze
‘THINK WITH YOUR CLOCK’
Yi Rong, Sandie Chan & Carissa Almira Djawas
Iris Singapore, Singapore

PR:

Gold
‘H20 for Mental Health’
Ginola Tan & Tan Yuan Ling
Govt Pte Ltd., Singapore

Silver
‘Seeing Beyond Faces’
Rhonda Wong & Shalom Lim
VML, Singapore

Bronze
‘CHEERS GIFT’
Yuto Nakajima & Yukie Takasu
HAKUHODO, Japan

The Spikes Asia Creativity Report will be released on Thursday 28 March, which shines a light on the best Asian creativity, as selected by Spikes Juries. The Report will feature interviews with winners about how the work was created, insights from Jurors, trends and themes that have emerged, along with the annual rankings for this year’s top performing Networks, Agencies and Companies from APAC. All results can be found at https://www.lovethework.com/work-awards/awards/spikes-asia.

About Spikes Asia

Spikes Asia, the home of Asia-Pacific creativity, is the region’s oldest and most prestigious awards for creative advertising. Building on over 35 years of the illustrious Spikes Awards and Tangrams Strategy & Effectiveness Awards, Spikes Asia is the result of a collaboration between Ascential, the organiser of Cannes Lions and Haymarket, publisher of Campaign Asia-Pacific.

Spikes Asia celebrates creative excellence in the Asia-Pacific region alongside learning and networking opportunities. The Awards serve as the definitive benchmark for creative excellence, marketing strategy and effectiveness in Asia-Pacific. www.spikes.asia 

About Ascential

Ascential delivers specialist information, analytics and events to the world’s leading consumer brands and their ecosystems. Our world-class businesses improve performance and solve customer problems by delivering immediately actionable information combined with visionary longer-term thinking across Product Design, Marketing and Retail & Financial Services.

We serve customers in over 120 countries, bringing local knowledge and connections to our global customer base. Ascential is listed on the London Stock Exchange.

www.lionscreativity.com | www.canneslions.com | www.ascential.com 

About Haymarket

Haymarket Media Group creates award-winning specialist content and information for international audiences. The company has more than 70 market-leading brands created by world-class experts in locations in the UK, the US, Hong Kong, Singapore, India and Germany. Haymarket’s consumer and professional brands connect people and communities across digital, mobile, print and live/virtual media platforms. Although Haymarket’s portfolio is diverse, its mission is the same across borders and markets: to deliver brand experiences which truly meet the needs of its audiences and clients. Haymarket’s brands include Campaign, PRWeek, What Car?, Autocar, AsianInvestor and Finance Asia. www.haymarket.com

Contacts:

Jaime Ng
Festival Director
Spikes Asia 
JaimeN@spikes.asia 

Camilla Lambert
PR Director
Spikes Asia
CamillaL@canneslions.com 

Tash Naidoo
Senior PR Manager
Spikes Asia
TashN@canneslions.com 

Press Portal:
Press.canneslions.com  

Awards Entries:
awards@spikes.asia 



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

FILMART and EntertainmentPulse conclude successfully

  • Over 7,500 participants from 50 countries and regions, reaffirming FILMART’s position as the premier platform for film and TV.
  • Significant growth in exhibitors and buyers from ASEAN countries, up 50% and 6% respectively year-on-year.
  • Multiple MoUs signed, including with Guangzhou, Thailand and Shanghai.
  • Over 1,000 film and entertainment works uploaded on FILMART’s online platform, further solidifying Hong Kong’s position as a regional IP trading hub.
  • FILMART’s virtual platform accessible until 13 April, offering ongoing collaboration opportunities.

HONG KONG, Mar 14, 2024 – (ACN Newswire) – The Hong Kong International Film and TV Market (FILMART) and EntertainmentPulse, organised by the Hong Kong Trade Development Council (HKTDC), concluded successfully today.

Asia’s leading cross-media, cross-industry trading platform attracted over 7,500 participants from 50 countries and regions and over 760 exhibitors from 27 countries and regions. Notably, there was a significant year-on-year increase in ASEAN exhibitors and buyers, 50% and 6%, respectively.

FILMART showcased a wide range of the latest film, TV and animation works as well as cutting-edge technologies in film production, including the debut of a virtual production studio in a collaboration with Hong Kong creative tech firm Votion Studios. A number of MoUs were signed to strengthen bilateral cooperation in film and entertainment.

Promoting ASEAN and trade cooperation 

In recent years, the film and entertainment industry in ASEAN countries, particularly Thailand, has experienced robust growth. In addition to the Thai Pavilion set up by the Thai Ministry of Culture, FILMART also held a Thai Day on opening day to leverage Hong Kong’s platform for industry development and encourage collaboration between Hong Kong and Thailand.

Hong Kong SAR Chief Executive John Lee led a delegation to visit three ASEAN countries, including Indonesia, last year, encouraging ASEAN businesses to leverage Hong Kong’s platform to further grow their entertainment industry. Following the visit, the Ministry of Tourism and Creative Economy of Indonesia staged a country pavilion for the first time at FILMART to showcase their film and TV productions. Rina Dayamanti, Festival Director of Jakarta Film Week and one of the pavilion representatives, expressed that Indonesian exhibitors were keen to meet a large number of Mainland Chinese buyers at the fairground and to explore the possibility of producing Indonesian versions of mainland IP projects.

The HKTDC also signed MoUs with several organisations, including the Department of International Trade Promotion of the Thai Ministry of Commerce and the Guangzhou Municipal Bureau of Culture, Radio, Television and Tourism, to strengthen bilateral economic and cultural cooperation. Additionally, a MoU was signed with the Shanghai Broadcasting Film & Television Producers Association to diversify bilateral cooperation in entertainment beyond co-productions.

Film companies leveraged FILMART’s platform to announce their latest productions and upcoming plans. Notably, Alibaba Digital Media and Entertainment Group unveiled the “Hong Kong Cultural and Art Industry Revitalisation Program”, committing to invest no less than HK$5 billion over the next five years to reinforce collaboration with Hong Kong’s cultural and entertainment industry.

To support Hong Kong’s growth as an innovation-driven economy and regional IP trading centre, FILMART this year strengthened its online platform, promoting exhibitors’ creative IPs, providing business referrals and facilitating business matching. As of early March, over 1,000 film and entertainment works have been uploaded to the platform.

First-time Indonesia Pavilion exhibitors Talamedia announced that Cercamon, Dubai-based global film sales firm, has acquired the worldwide rights of Crocodile Tears, a film co-produced by Talamedia and production companies from France, Germany and Singapore. 

Another first-time Indonesia Pavilion exhibitor KawanKawan Media, which has produced award-winning films, also announced they concluded principal photography of their latest feature, Tale of the Land, which is now in post-production.

Euro-Asia co-production opportunities in the spotlight

The Hong Kong Film Development Council launched the Hong Kong-Europe-Asian Film Collaboration Funding Scheme”, thanks to the Hong Kong SAR Government’s investment in the Film Development Fund, to encourage more international productions to come to Hong Kong to collaborate with Hong Kong filmmakers.

One of the guest speakers at EntertainmentPulse, Catherine Souyri-Desrosier, International Department Director of Centre national du cinéma et de l’image animée, commented: “Co-production is at the heart of France’s cultural policy to promote cultural diversity, cultural exchanges and cross-fertilisation. As France has developed a proactive policy to support co-productions with more than 60 bilateral treaties, including with four countries in Asia: China, Cambodia, South Korea and India. We look forward to collaborating with outstanding Asian crews and developing high-quality productions.”

New wave in Hong Kong cinema

In recent years, Hong Kong has seen the emergence of talented young directors, whose works have made their mark in the global film industry, ushering in a new wave in Hong Kong cinema. Many of them were supported by the Hong Kong SAR Government’s First Feature Film Initiative and Film Production Financing Scheme.

At the concurrent EntertainmentPulse, Hong Kong film director Stanley Kwan said: “The Hong Kong SAR Government and industry veterans should assist high-quality films in reaching international audiences through various channels and bring new directors to people’s attention to encourage more new talents to create.”

Cross-media events at FILMART 

The Digital Entertainment Summit featured at EntertainmentPulse explored trending topics in the world of digital entertainment, including animation and cross-border collaboration. Shimizu Shinji, Chief Advisor of Toei Animation, the animation production company behind box office hits Ikky-san and One Piece, shared his insights on the application of digital entertainment in animation creation. Furthermore, Across animation digital effects and interactive solutions, 38 Hong Kong production companies at the Hong Kong Animation and Digital Entertainment Pavilion showcased Hong Kong’s latest wave of young creatives.

FILMART is not only a trading platform for the film and entertainment industry, but also a showcase for music producers. Led by music director Dr Mui Kwong Chiu, the inaugural Hong Kong Film Music Fiesta – Rhythm of Martial Arts Music Concert featured iconic theme songs from classic Hong Kong films.

The online platform of FILMART will remain open until 13 April. Registered users can rewatch EntertainmentPulse seminars and connect with global buyers and exhibitors to explore more business opportunities.

Website:
FILMART — www.hktdc.com/hkfilmart/en
EntertainmentPulse — entertainmentpulse.hktdc.com/en

Photo Download: https://bit.ly/4cbG8TP

 

The Hong Kong International Film and TV Market (FILMART) and EntertainmentPulse, organised by the Hong Kong Trade Development Council, attracted over 7,500 participants from 50 countries and regions.

EntertainmentPulse hosted multiple forums, with renowned leaders discussing a range of trending topics, including Hong Kong-Europe-Asia co-productions, development of streaming, globalisation of Chinese and ASEAN content as well as generative AI.

In recent years, the ASEAN film and entertainment industry has experienced robust growth, particularly Thailand.  In addition to the Thai Pavilion set up by the Thai Ministry of Culture, FILMART also hosted a Thai Day on opening day.

Led by music director Dr Mui Kwong Chiu, the first Hong Kong Film Music Fiesta – Rhythm of Martial Arts Music Concert featured soundtracks of iconic Hong Kong films.

Multiple film companies leveraged FILMART’s cross-regional platform to attract global buyers, unveiling their latest productions and plans. Notably, Alibaba Digital Media announced the Hong Kong Cultural and Art Industry Revitalization Program.

Among two generations of filmmakers, Hong Kong film critic Thomas Shin and Fly Me to the Moon Director Sasha Chu and Producer Stanley Kwan, along with Dust to Dust Director Jonathan Li and Producer Cheang Pou-soi, discussed the latest developments of the Hong Kong film market.

 

Media enquiries
For enquiries, please contact:
Raconteur PR:
Betsy Tse, Tel: (852) 9742 7338, Email:betsytse@raconteur.hk
Molisa Lau, Tel: (852) 6187 7786, Email:molisalau@raconteur.hk

HKTDC Communication and Public Affairs Department:
Snowy Chan, Tel: (852) 2584 4525, Email:snowy.sn.chan@hktdc.org
Agnes Wat, Tel: (852) 2584 4554, Email:agnes.ky.wat@hktdc.org

HKTDC Newsroom: http://mediaroom.hktdc.com/en

About HKTDC

The Hong Kong Trade Development Council (HKTDC) is a statutory body established in 1966 to promote, assist and develop Hong Kong’s trade. With 50 offices globally, including 13 in Mainland China, the HKTDC promotes Hong Kong as a two-way global investment and business hub. The HKTDC organises international exhibitions, conferences and business missions to create business opportunities for companies, particularly small and medium-sized enterprises (SMEs), in the mainland and international markets. The HKTDC also provides up-to-date market insights and product information via research reports and digital news channels. For more information, please visit: www.hktdc.com/aboutus. Follow us on Twitter @hktdc and LinkedIn



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Media Savvy Awards 2023 Winners Honored; 2024 Awards Announced

SINGAPORE, March 12, 2024 (ACN Newswire) – A senior civil servant, a private equity advisor, and a funeral director have won the Media Savvy Awards 2023, celebrating exceptional public speakers in Singapore and Malaysia. 

Janice Lai, Group Director (Housing & Investment), CPF Board won the Best Hybrid Event Presentation Award for her presentation to the Public Service Conference, while Michael Sng, CEO & Managing Partner, TAEL Partners took the Best Sustainability Communications Award. The Best Broadcast Interview category went to Jeffrey Lee, Founder, Embrace Funeral Services Pte Ltd. 

The winners were ascertained by judges from the Asia Pacific Association of Communications Directors (APACD), who returned for their fourth year. They were joined by the Public Relations and Communications Association (PRCA), and the Singapore Institute of Directors (SID).

Mark Laudi, Media Savvy Awards convenor and ex-CNBC anchor, said “As we head into the 7th year of the Media Savvy Awards, it’s become clear how deep our local talent pool of excellent presenters really is. Singaporeans and Malaysians who are still shunning the limelight are starting to catch on that public speaking appearances are essential for building your personal brand, especially for the most senior of business leaders.

Media Savvy Awards 2023, Best Hybrid Event Presentation 2023: Janice Lai, Group Director (Housing & Investment),  CPF Board, Singapore
Media Savvy Awards 2023, Best Broadcast Interview: Jeffrey Lee, Founder, Embrace Funeral Services Pte Ltd, Singapore

“The Media Savvy Awards celebrate those Singaporeans and Malaysians who lead the way with their articulate and confident presentations, both on stage and on camera. It’s time for other senior business leaders who have not yet taken the plunge to follow their example.”

Keith Morrison, President of APACD, said “Empowering Singaporeans and Malaysians to be media-savvy spokespeople is crucial for today’s communication landscape. Hearing the stories and perspectives of our leaders, hearing their authentic and diverse voices will go a long way to ensure we preserve trusted media sources.”

Tara Munis, Head of PRCA APAC, said “We are thrilled to continue our steadfast support for the Media Savvy Awards as they enter their 7th year. These awards provide a vital platform for local businesses in Singapore and Malaysia to showcase their exceptional work in the communications realm, offering an invaluable opportunity to share their stories with the wider community.

“As we eagerly anticipate this year’s entries, we remain committed to celebrating and amplifying the innovative contributions of our region’s businesses to the ever-evolving media landscape,” said Tara.

Nominations are now open for the 2024 awards in the same categories of Best Broadcast Interview, Best Online Interview, Best Hybrid Presentation and Best Sustainability Communications. You can nominate yourself or another senior business leader another Singaporean or Malaysian senior business leader by visiting www.mediasavvyawards.com.

The Media Savvy Awards also unveiled its new look logo for 2024.

About Media Savvy Awards 

The Media Savvy Awards recognise local business leaders who are good orators and have excellent traditional and new media skills. Convened in 2018 by Hong Bao Media, the awards seek to encourage business leaders, entrepreneurs and founders to step up in front of the camera or on stage. 

As businesses move forward in a digital world with new media platforms, having a strong media presence and the ability to get your message across to your key stakeholders is crucial for business leaders and entrepreneurs alike.

For further information

Mark Laudi, Convenor, Media Savvy Awards
Tel: +65 9017 3534
Email: mark.laudi@hongbaomedia.com
Hong Boa Media: www.hongbaomedia.com
Hong Bao Media provides a new generation of communications services to corporate clients throughout the Asia Pacific, for a new era of communications.



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

FILMART and EntertainmentPulse open today

  • As Asia’s largest entertainment content marketplace, FILMART welcomes some 750 exhibitors from over 25 countries and regions and more than 30 regional pavilions
  • HKTDC and the Department of International Trade Promotion (DITP) of the Thai Ministry of Commerce signed MoU to strengthen trade and business ties
  • FILMART debuts virtual production studio in collaboration with Votion Studios, showcasing the latest in production techniques and real-time content generation
  • The Entertainment Expo, encompassing 10 major events, including FILMART and EntertainmentPulse, held its opening ceremony this afternoon

HONG KONG, Mar 11, 2024 – (ACN Newswire) – Opening Art March 2024 in Hong Kong, the Hong Kong International Film and TV Market (FILMART) and EntertainmentPulse, held from 11 to 14 March, bring together leading industry figures from around the world to showcase the latest cinematic masterpieces and ground-breaking technologies as well as share their insights.

As part of the month-long Entertainment Expo (EE), the two events offer a treasure trove of content, shining a spotlight on Hong Kong’s diverse creative industries and cementing our city’s position as an East-meets-West centre for international cultural exchange.  They also embrace the digital realm, providing an online platform to promote IP projects and facilitating opportunities for participants to expand their reach in the international market, while reinforcing Hong Kong’s status as a regional IP trade hub.

The Entertainment Expo (EE), organised by the Hong Kong Trade Development Council (HKTDC) and sponsored by Create Hong Kong, the Film Development Fund and Hong Kong SAR Culture, Sports and Tourism Bureau, held its opening ceremony this afternoon. It was officiated by Eric Chan, Chief Secretary for Administration of the Hong Kong SAR, Kevin Yeung, Secretary for Culture, Sports and Tourism of the Hong Kong SAR, Dr Peter K N Lam, Chairman of the HKTDC, Shi Zhi-yan, Second-Grade Counsel of the Hong Kong, Macao & Taiwan Affairs Office of China’s National Radio and Television Administration (NRTA) and Hong Kong entertainment ambassador Leon Lai as well as representatives from event organisers and supporting institutions.

Dr Lam said, “Over the past 20 years, we have worked with different film and entertainment organisations to create this mega event and bring together the best and brightest in entertainment from around the world to Hong Kong to facilitate dialogue and collaboration, strengthening Hong Kong’s role as a premier hub for business and entertainment. For its 20th edition, the Entertainment Expo brings together 10 industry events to showcase the many facets of Hong Kong’s film, TV, music and digital entertainment sectors.”

He noted that “One of the Expo’s flagship events is FILMART, Asia’s largest entertainment content marketplace for filmmakers, distributors, buyers and investors to show their work, engage in dialogue and explore collaboration opportunities. EntertainmentPulse, which runs parallel to FILMART,.gathers global industry leaders for engaging conversations on a variety of industry topics and for collaboration opportunities.”

FILMART features the first-ever virtual production studio

This year, FILMART welcomes some 750 exhibitors from over 25 countries and regions. It features more than 30 regional pavilions, including first-time exhibitors from Hubei, Indonesia, and Macau.

The Thai Ministry of Culture set up a dedicated Thai Pavilion and organised Thai Day on the first day of FILMART. To strengthen bilateral trade ties, the HKTDC and the Department of International Trade Promotion (DITP) of the Thai Ministry of Commerce signed an MoU.

This year’s exhibition sees a significant presence of exhibitors from Mainland China, including industry giants, such as Alibaba Culture Entertainment and Bilibili who are participating for the first time. Other prominent exhibitors include Huace, iQIYI, Shanghai Youhug Media and Tencent, showcasing their latest productions.

Exhibitors from Hong Kong, such as Media Asia, Emperor Motion Pictures, Edko Films, Golden Scene, Mandarin Motion Picture, One Cool Pictures, PCCW Media, and Universe Films set up booths to showcase their upcoming films and projects.

Additionally, the Hong Kong Design Institute held the opening ceremony of its virtual production studio and announced they will set up the Hong Kong’s largest virtual production training centre in Shaw Studios. First-time participant Hong Kong Baptist University showcases the latest AI, visualisation and human-machine interaction technologies applied in film creation.

FILMART has partnered with Votion Studios, a Hong Kong-based creative tech company, to set up a virtual production studio at the event. This marks the first time such a studio has been featured at FILMART to showcase the latest advances in production techniques and real-time content generation.

Media partners attending FILMART can conduct on-site interviews and create real-time content, leveraging this cutting-edge technology. Moreover, the event’s online platform serves as a hub for showcasing and promoting exhibitors’ creative IPs, offering professional business recommendations and business matching services during and after the event.

FILMART showcases some 30 sessions of various events to foster knowledge-exchange and facilitate connections, including press conferences, project showcases, seminars, networking events and more.

Notably, the inaugural Rhythm of Martial Arts Music Concert took place today led by Music Director Dr. Mui Kwong Chiu. The concert highlighted the exceptional talents of six renowned film music composers, including Richard Yuan, Peter Kam, Punk Chan, Leon Ko, Julian Chan and Lam Kwan-fai. Popstars Deep Ng and Edmond Tong delivered captivating performances of iconic theme songs from classic Hong Kong films. The event also featured a special guest appearance by Thai film composer Terdsak Janpan.

EntertainmentPulse brings together heavyweight industry leaders

At the 3rd EntertainmentPulse, global industry leaders discuss a wide range of topics, including Hong Kong-Europe-Asia co-productions, development of streaming, globalisation of Chinese and ASEAN content as well as generative AI content.

The forum kicks off with the “Dialogue with Pioneers: Prospects of AI Generative in the Entertainment Industry“, which features Wang Yu, Magazine Editor of The Chinese Film Market and film producer, Fu Binxing, President of Huace Film & TV, and Chen Jihong, Partner at Zhong Lun Law Firm. The panel will explore how the industry can seize and leverage the opportunities brought by AI-generated content as well as address challenges related to core business integration, copyright protection and infringement,  R&D and talent investment.

Louis Boswell, CEO of Asia Video Industry Association, engages in dialogue with Kelvin Yau, Vice President of International Business Department of iQIYI, and Winradit Kolasastraseni, President of True Digital Group’s Digital Media Department, to discuss the latest developments and opportunities of the Direct-to-Consumer (D2C) model of streaming platforms.

Over the years, Hong Kong cinema has produced many box office hits, with a significant number by emerging filmmakers. “Meeting of Brilliance: A Dialogue between Two Generations of Filmmakers on Hong Kong Movies” features renowned film critic Thomas Shin, Fly Me to the Moon director Sasha Chuk and film producer Stanley Kwan as well as Dust to Dust producer Soi Cheang and director Jonathan Li, representing two generations of Hong Kong film.

Hong Kong International Film Festival (HKIFF) industry programme provides filmmakers with opportunities

The HKIFF industry programme selected a number of projects for funding from a record-breaking 460 submissions from 48 countries and regions. Covering diverse genres and themes, these include projects filmed by acclaimed filmmakers and producers, such as Koji Fukada, Michael J. Werner, Zhang Lu and Guan Hu.

The Hong Kong-Asia Film Financing Forum (HAF) is an integral part of the newly expanded HKIFF industry programme. At HAF this year, 10 directors are making their debut and seven film projects from Hong Kong will be featured.

As Asia’s most significant financing platform, HAF has facilitated the successful distribution of over 213 feature film projects since its establishment in 2000. It is held concurrently with the inaugural HKIFF Industry-CAA China Genre Initiative (HCG), which supports the development of Chinese genre films.

FILMART and EntertainmentPulse
Date: 11 – 14 March 2024
Website:
FILMART — www.hktdc.com/hkfilmart/en
EntertainmentPulse — entertainmentpulse.hktdc.com/en
Programme — hkfilmart.hktdc.com/conference/hkfilmart/tc/programme

Entertainment Expo
Date: 24 February – 14 April 2024
More details:
Three founding events:
Hong Kong International Film and TV Market (FILMART)
Hong Kong International Film Festival (HKIFF) 
Hong Kong Film Awards Presentation Ceremony (HKFA)

Seven core events:
Asian Film Awards (AFA)
Asia Video Summit
Digital Entertainment Summit (DES)
EntertainmentPulse
Hong Kong-Asia Film Financing Forum (HAF)
Independent Film and Video Media Festival (ifva)
Microfilm Production Support Scheme (Music).

Photo Download: https://bit.ly/4cnIMpV

 

The 28th Hong Kong International Film and TV Market (FILMART) attracts over 750 exhibitors from more than 25 countries and regions

The Entertainment Expo kick-off ceremony officiating guests include Eric Chan, Chief Secretary for Administration of the Hong Kong SAR (sixth from the right), Dr Peter K N Lam, Chairman of the HKTDC (seventh from the right), Kevin Yeung, Secretary for Culture, Sports and Tourism of the Hong Kong SAR (fifth from the left), Margaret Fong, Executive Director of HKTDC (fourth from left), Hong Kong entertainment ambassador Leon Lai (fourth from right) and representatives from the Expo’s collaboration partners. 

Dr Peter K N Lam, Chairman of the HKTDC, delivers welcome remarks during the kick-off ceremony.

Eric Chan, Chief Secretary for Administration of the Hong Kong SAR, delivers an opening speech at the kick-off ceremony.

The Hong Kong Trade Development Council and the Department of International Trade Promotion (DITP) of the Thai Ministry of Commerce signed an MoU to strengthen trade and business ties.

FILMART features a virtual production studio for the first time, showcasing the latest production techniques and real-time content generation on-site.

FILMART showcases some 30 sessions, including press conferences, film premieres, project showcases, seminars, networking events and more.

 

Media enquiries
For enquiries, please contact:
Raconteur PR:
Betsy Tse, Tel: (852) 9742 7338, Email:betsytse@raconteur.hk
Molisa Lau, Tel: (852) 6187 7786, Email:molisalau@raconteur.hk

HKTDC Communication and Public Affairs Department:
Snowy Chan, Tel: (852) 2584 4525, Email:snowy.sn.chan@hktdc.org
Agnes Wat, Tel: (852) 2584 4554, Email:agnes.ky.wat@hktdc.org

HKTDC Newsroom: http://mediaroom.hktdc.com/en

About HKTDC

The Hong Kong Trade Development Council (HKTDC) is a statutory body established in 1966 to promote, assist and develop Hong Kong’s trade. With 50 offices globally, including 13 in Mainland China, the HKTDC promotes Hong Kong as a two-way global investment and business hub. The HKTDC organises international exhibitions, conferences and business missions to create business opportunities for companies, particularly small and medium-sized enterprises (SMEs), in the mainland and international markets. The HKTDC also provides up-to-date market insights and product information via research reports and digital news channels. For more information, please visit: www.hktdc.com/aboutus. Follow us on Twitter @hktdc and LinkedIn



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Bona Film Group invests in Hollywood blockbusters including “Avatar Franchise” via TSG Entertainment

HONG KONG, Jan 2, 2024 – (ACN Newswire) – On December 31, 2023, Bona Film Group Co., Ltd. (001330.sz) (the “Bona”), a well-known film group company in China with a whole industry chain layout, today announced that it has extended and expanded its relationship with TSG Entertainment Finance LLC (the “TSG”), a leading film and entertainment company. Bona has previously co-invested with TSG in a slate of films including The Martian, Independence Day: Resurgence, The Greatest Showman, War for the Planet of the Apes, Miss Peregrine’s Home for Peculiar Children, Alien: Covenant, X-Men: Apocalypse.

“Bona is positioned as an international film company, and in the future, we hope to shoot diverse and international genres of movies. We are very excited to continue our eight-year partnership with TSG.” said Bona’s founder, Chairman and CEO, Mr. Yu Dong. “Through this expanded venture, Bona will become a new participant via TSG in the Avatar and Deadpool franchise and continue our involvement in The Planet of The Apes and Alien franchise in addition to many other dynamic upcoming films”

Chip Seelig, Managing Member of TSG Entertainment said, “I am thrilled to continue our partnership with Bona and Yu Dong, one of our oldest and most important relationships in the film industry. The Chinese market provides us with rare opportunities, and we also hope to help further develop the Chinese market.”



Copyright 2024 ACN Newswire. All rights reserved. http://www.acnnewswire.com

SIGGRAPH Asia 2023 Sets New Heights for Innovation in Sydney: Gears Up for Next Edition in Tokyo

SYDNEY, AU, Dec 20, 2023 – (ACN Newswire) – SIGGRAPH Asia 2023 concluded on December 15th at the iconic International Convention Centre Sydney (ICC Sydney). The event, organized by Koelnmesse Pte Ltd and ACM SIGGRAPH, a renowned special interest group within the Association for Computing Machinery (ACM), marked a tremendous success in shaping the future of animation, virtual reality, artificial intelligence, and related Computer Graphics and Interactive Techniques technologies. With 5,690 attendees hailing from more than 40 countries and featuring 30 exhibiting brands, the conference and exhibition exemplified the industry’s vibrant dynamism and rapid growth.

SIGGRAPH Asia 2023

SIGGRAPH Asia 2023 Conference Chair June Kim said, “As the curtain falls on SIGGRAPH Asia 2023 in Sydney, it stands out as a brilliant success. Thousands of visitors from over 40 countries experienced innovation at its peak, with over 30 leading brands and impactful presentations setting new standards in computer graphics and interactive techniques. From keynotes by luminaries to groundbreaking showcases and awards, we’re grateful for the support of computer, animation, and tech visionaries. Special thanks to our partners in Sydney for being tremendous hosts.”

Key Highlights and Achievements

The SIGGRAPH Asia 2023 Conference and Exhibition represented a vibrant showcase of the latest developments in the Computer Graphics (CG) arena. Luminaries Jun Murai of Keio University and Joe Letteri from Weta FX, shared invaluable insights with their keynote presentations on “Internet Civilization: A New Frontier for Humankind” and “Innovation & Avatar: The Way of Water” respectively.

The event buzzed with intellectual stimulation. Featured sessions included speakers like Rob Bredow of Industrial Light & Magic, and Paul Debevec of Netflix, who offered unique perspectives, touching on themes ranging from the synergy of art and technology to the frontiers of virtual production. Forward-thinking panels delved into the latest trends in Character Animation, VFX, Digital Humans, and the future of computer animation tools.

The Conference also took a compelling look into how a hybrid society is emerging via extended reality by exploring how with Digital Twin, artifacts, space, and humans can be replicated in a digital form. One of the highlights was a real-time demonstration that demonstrated how digital twin, big data visualization, and extended reality can connect from Sydney to other cities via Super Speed Connectivity.

Much conversation at SIGGRAPH Asia 2023 revolved around Generative AI, a topic that was brought up at numerous sessions. These sessions delved into the intricacies and applications of Generative AI, providing valuable insights, and expanding the overall understanding of this cutting-edge technology.

Fostering Future Talent and Education

The theme ‘Connecting Stories’ rang true among participants, who described how important it was to convey how their technology was being applied in an everyday sense – whether it be to help blind people navigate, or an apparatus that uses sign language. Students, Researchers, and Academics mingled with those from industry, sharing their ideas and work in progress.

Attracting newcomers to the industry is important, and so SIGGRAPH Asia sought ways to proactively interest the young. Another notable highlight of the conference was the Computer Animation Festival, which featured an eclectic mix of 38 films, ranging from narrative shorts to scientific visualizations. It included works from the inaugural Junior Computer Animation Festival, which brought to life the event’s commitment to fostering new talent.

Technological Showcases and Inclusivity

SIGGRAPH Asia 2023 was a technological extravaganza. Emerging technologies were showcased that are set to redefine the industry. Over 900 Technical Papers were submitted to SIGGRAPH Asia 2023 and juried by more than 180 experts and over 3,000 anonymous peer reviewers.

Courses and Talks sessions, particularly those focusing on the transformative potential of artificial intelligence on the tools the industry uses, were a window into the future of the industry. New tools offer potential in lowering the barriers to entry for more artists and designers to join the computer graphics and interactive techniques sectors.

Inspiring panel discussions underscored how SIGGRAPH Asia places emphasis on creating a neuro-diverse and inclusive community, providing a nurturing environment for discussions and learning as to Diversity, Equity and Inclusion (DEI).

Recognizing Excellence

Outstanding individuals and teams were celebrated through multiple esteemed awards programs (refer to this link). Among the notable honorees, Australian artist Paul Brown received the prestigious Distinguished Artist Award for Lifetime Achievement in Digital Art from SIGGRAPH ACM and Singaporean Associate Professor Yong Tsui (YT) Lee was honored with the SIGGRAPH ACM Outstanding Service Award in recognition of his nurturing and fostering of the SIGGRAPH Asia community and Conference.

An intriguing Exhibition

Visitors to the SIGGRAPH Asia 2023 Exhibition left with their imaginations ignited by the boundless potential of technology. From healthcare and transportation to the vast realms of space and entertainment, technology was showcased as a powerful force bringing visualization and interactive tools into our everyday lives. Prominent industry leaders, including FORUM8, Adobe, NVIDIA, Industrial Light and Magic, MSI, Vicon, and Weta FX exhibited, offering glimpses into the future of Animation & Visual Effects, Augmented Reality, Cloud-based Systems, Computer Graphics, Interactive & Innovative Technologies, Gaming Technologies, Imaging, Virtual Reality & Simulation, Visualization, and much more.

People attended Demoscene to see the very cutting-edge of computer demonstrations, and the Experience Hall to participate in an immersive Art Gallery, an Extended Reality (XR) program, and witness the emergence of the very latest Emerging Technologies for CGI, special effects (FX) and animation.

Adding to the allure of the event were the exhilarating Exhibitor Talks, featuring influential speakers from Adobe, Canva, DNEG, Foundry, Gigabyte, NVIDIA, and Pixar Animation Studios, who enthralled and inspired audiences with the latest advancements in technology and the innovative techniques that are shaping the future.

To Tokyo and Beyond

As SIGGRAPH Asia 2023 drew to a close, it left an indelible mark on Sydney participants, many of whom had never attended a SIGGRAPH event prior. Hosting the event in Sydney is a reflection of the nation’s growing importance in the global computer graphics industry. The local surge in activities in both 2D and 3D animation work is evident in the increasing demand for artists and expansion of local production companies in these fields, and insofar as local companies are expanding their capabilities and adopting new technologies for series work.

Conference Chair June Kim encapsulated the spirit of the event, expressing gratitude to the supporters and looking forward to the next edition in Tokyo: “I am deeply grateful to all the local and international supporters for making this edition in Sydney exceptionally memorable and successful. We eagerly anticipate the next gathering in Tokyo in early December 2024!”

To learn more about SIGGRAPH Asia 2023, visit: https://asia.siggraph.org/2023/

SPOKESPERSON QUOTATIONS

  • Rob Coleman, Computer Animation Festival Co-Chair

Commenting on the importance of SIGGRAPH Asia, Rob Coleman said, “It has truly been an honour to co-chair the Computer Animation Festival at SIGGRAPH Asia 2023.” He added, “My SIGGRAPH journey began in 1992 in Chicago; the Electronic Theater at that event left an indelible impression on me. Back then, the internet didn’t exist, which meant that SIGGRAPH was the hub for seeing the latest in computer graphics. At that time, I had a limited view of the field; however, attending SIGGRAPH introduced me to a world of diverse content… Witnessing the exceptional global talent showcased this year is incredibly rewarding.”

  • Attendee, Philippe Huibonhoa, 24, University of Technology Sydney

Philippe Huibonhoa delighted in the fact that he could participate in most aspects of the conference. He observed that, “We, through the innovation and technology, like we as humankind, are getting closer, especially with the advances in AI. We’re finding ways to connect in ways that we couldn’t, couldn’t never have dreamed of, [which he saw] especially in the Art Gallery.”

  • Maria Zelenskaya, Griffith University

From the many papers submitted, and from those chosen to exhibit, there were multiple groundbreaking technology advancements that were acclaimed at SIGGRAPH Asia 2023. The people’s choice Best Demo Award at the Emerging Technologies Awards went to a team from the University of Queensland that worked on a project to create a smart home assistant that uses gesture controls to provide Auslan (Australian Sign Language) responses for Deaf users. She said that it is quite fulfilling to enhance Deaf accessibility and that she was inspired to continue. She said her SIGGRAPH journey started as a student, and continues now as a PhD and that their work showcases avatars’ potential for the Deaf community. ”I think it’s really great to show how they can be used for something really powerful and inspiring.”

Access Full Program HERE.

Access Keynote Speakers, Conference Chair and Program Chairs Bios and high-resolution profile images HERE.

Download SIGGRAPH Asia 2023 press kit and high-resolutions images HERE.

Complete SIGGRAPH Asia 2023 Winners List, available HERE.

FURTHER PROGRAM SUMMARIES

A true highlight of the SIGGRAPH Asia conferences, RealTime Live! offers an exhilarating and one-of-a-kind experience in which audiences are treated to a live spectacle and competition, one in which the finest minds in real-time graphics and interactive techniques bring their creations to life. Sally Coleman, currently pursuing a practice-based PhD with UTS Creativity & Cognition Studios, clinched victory for both Best in Show and People’s Choice awards. Her innovative music project, Big Sand, a lively animated sci-fi virtual band crafted with Unreal Engine and brought to life through motion capture technology, stole the spotlight. Notably, the entire Real-Time Live! was live streamed on Twitch for the first time, extending its reach to a global audience.

Birds of a Feather (BOF) sessions provoked lively discussions among those who shared interests, goals, technologies, arts and/or backgrounds, inspiring new opportunities for collaboration.

The Doctoral Consortium brought PhD students to meet and discuss their work with each other and a panel of experienced SIGGRAPH Asia researchers in an informal and interactive setting.

At the Technical Communications program, international experts from academia and industry presented novel ideas, shared insights from production, and discussed innovative interdisciplinary applications in progress.

The Business & Innovation Symposium sought to find an intersection between technology, creativity, and business, to power transformation: the key topic was Generative AI and connecting stories across business, technology, and community.

Demoscene thrilled with cutting-edge computer demonstrations, while a vintage technology museum delighted with a nostalgic treasure trove, featuring cherished relics like Game Boys, antiquated computers, classic arcade machines, and an array of other cherished artifacts.

The Experience Hall, featuring Art Gallery, XR, and Emerging Technologies, served as a captivating fusion of art and technology, unveiling uncharted worlds and cultures to visitors. The Emerging Technologies program took attendees on a mesmerizing journey where levitation and mid-air visualizations left them enthralled. At one station, the NTT Corporation introduced groundbreaking wearable technology designed to enhance the piano learning experience. In the XR space, visitors were beguiled by projects that spanned from 3D embodiment to AR garment customization, and immersive VR experiences that transported them to entirely new dimensions. Alongside the Art Gallery, Art Papers returned this year, for which there were a healthy number of submissions.

The Posters gallery encapsulated state-of-the-art proposals in computer graphics and interactive techniques, providing a comprehensive glimpse into the forefront of innovation.

SIGGRAPH Asia 2023 Full Conference Program:

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About ACM SIGGRAPH

ACM SIGGRAPH is an international community of researchers, artists, developers, filmmakers, scientists, and business professionals with a shared interest in computer graphics and interactive techniques. A special interest group of the Association for Computing Machinery (ACM), the world’s first and largest computing society, our mission is to nurture, champion and connect like-minded researchers and practitioners to catalyze innovation in computer graphics and interactive techniques.

ACM SIGGRAPH offers two of the premier technology conferences in the world, one in North America and one in Asia. Attended by tens of thousands of computer graphics professionals, SIGGRAPH and SIGGRAPH Asia are highly respected venues for the presentation of new computer graphics technology and research. For more information, please visit www.siggraph.org.

About Koelnmesse

Koelnmesse Pte Ltd is one of the world’s largest trade fair companies. Its more than 80 trade fairs and exhibitions have the broadest international scope in the industry, as 60 percent of the exhibitors and 40 percent of the visitors come from outside Germany. The Koelnmesse events include leading global trade fairs for 25 sectors, such as Imm Cologne, Anuga, IDS, INTERMOT, Interzum Cologne, Photokina, Gamescom, and the International Hardware Fair Cologne. Koelnmesse is ACM SIGGRAPH’s event organizer for the last 15 editions of SIGGRAPH Asia. For more information, please visit www.koelnmesse.com.sg

Media Contacts

International
Sheree Tan, PINPOINT PR 
Email: sheree@pinpointpr.sg
Mobile: +65 8313 9472

Organizer – Marketing, Public Relations, Partnerships
Jamie Huang, Koelnmesse Pte Ltd
Email: jamie.huang@siggraph.org
Mobile +65 90277270



Copyright 2023 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Online Video Remains the Growth Engine of Content Investment with Local Content Still Key to Acquiring Subscribers

SINGAPORE, Dec 11, 2023 – (ACN Newswire) – The Asia Video Industry Association held its annual OTT Summit in Singapore on 5 December, where over 90% of the speakers were senior female executives from across the video industry in Asia Pacific. This year’s summit was designed to try and redress the gender imbalance seen in many industry conferences.

The Summit opened with Dhivya T, Lead Analyst, Head of Content & Platform Insights, Media Partners Asia, presenting an overview of the state of streaming in Asia, a market where competition was very much driven by a battle for share of time, with premium video on demand (VOD) fighting with social media and user-generated content (UGC). 

Competition was also giving rise to new business models and strategies beyond the traditional AVOD and SVOD models, including mobile gaming, ecommerce and bundle subscriptions becoming more common. And with a higher focus in increasing ARPUs, price increases have also become prevalent.

Ex-China, online video revenues in Asia Pacific were expected to hit US$46 billion in 2028, up from US$29 billion this year. While SVOD was expected to have a CAGR of 6.4 percent, premium AVOD will see a growth rate of almost 18 percent, led by Japan, India, and Korea. In Southeast Asia, Indonesia was emerging as the leading market for AVOD, with Thailand for SVOD.

In terms of content trends and investment, although pay TV remained the largest vertical, online video was the growth engine of video content investment, with local and Asian content leading premium VOD viewership with the highest reach. Hence local content remained key to acquiring subscribers in the region, and constantly over-indexing with new users.

In the world of streaming, Free Ad-Supported Streaming TV (FAST) was also much talked about at the Summit as the new kid on the block, as it mimicked the experience of linear TV, delivering scheduled content, with advertising included. Driving the growth of FAST in Asia was the penetration of Smart TVs in the region, with 80% of OTT viewers in APAC using Connected TV (CTV), and with one-third of OTT viewing on CTV, shared Samantha Cooke, Head of Product Marketing, Samsung Ads APAC. But FAST channels were not always about making money, as FAST was also used for marketing, outreach and brand building, added Roberta Cambio, Senior Product Marketing Manager, Brightcove.

Senior marketeers from the major platforms too chimed in on the importance of brand building, as the mantra was no longer acquiring subscribers at all costs but focus on keeping the ones you have. For Anuja Trivedi, Chief Marketing Officer, Shemaroo Entertainment, marketing was now more aligned to the business, as consumers who saw campaigns engaged better as well. And partnerships which built more value can only build more excitement for the product and engagement for the platform, said Trivedi. Sarah Lim, Senior Solutions Engineer, Akamai Technologies, also added that people, platform and the technology were what will help drive your strategy forward for the future. “Marketing is greater than the sum of its parts,” said Lim.

With 71% of viewers in APAC watching advertising supported streaming on top of linear TV viewing, Chloe Neo, Chair for Media & Measurement, AAMS & CEO, OMG Singapore, was also seeing growth from regional clients with a greater inclination to look at branding, with the reallocation of budgets into OTT tending to be from the big brands, due to their expectations on quality content. While investment was coming from the linear TV side, more clients were now embracing CTV and addressability for strategic benefit, and not just for incremental reach, added Anita Munro, CIO, Southeast & North Asia, Chair, APAC Investment Committee, GroupM.

A strong focus on content closed off the Summit, with panellists agreeing that Asian content could not be lumped together. There was huge variety within what is labelled Chinese or Indian content. Nimisha Pandey, Chief Content Officer, Hindi Originals, ZEE5, emphasised that story telling trumped investment. “Audiences don’t care how much money has gone into content, if it connects, it connects,” she said.

Marianne Lee, Chief of Content Acquisition and Development, Viu, noted, “Each local market has their own strategy which complements the regional strategy. While it is important for the content to travel outside, the content must also do well locally,” said Lee. In agreement, Agnes Rozario, Director of Content, ASTRO, added, “There will always be certain types of content that travel better than others. But it has to work in the home market first.”

One market which saw things a little differently was Thailand where Kirana Cheewachuen, Deputy Director, Planning & Business Development, Strategic Content Group, True Corporation, saw huge potential in the overseas growth and popularity of Thai content, and international success was her primary goal.

Sharing her strategy for the Pacific Rim in the closing session, Beverley McGarvey, EVP, Chief Content Officer & Head of Paramount+, Paramount ANZ, said that Australia was a mature market at a pivotal point now as audiences were adjusting between more traditional legacy media and streaming. Hence accelerating growth in streaming while maintaining linear businesses and making content that can work across platforms was what was needed in order to remain viable.

The OTT Summit is proudly sponsored by Gold Sponsors Brightcove, INVIDI, Nagra, Warner Bros Discovery; Silver Sponsors Akamai, Broadpeak, CDNetworks, Irdeto, Moloco, Publica, PubMatic, Shemaroo; Bronze Sponsor Dolby.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

For media enquiries and additional background please contact:
Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
LinkedIn: www.linkedin.com/company/asiavideoia | Twitter: @AsiaVideoIA



Copyright 2023 ACN Newswire. All rights reserved. http://www.acnnewswire.com