Truescope Acquires US Firm Universal Information Services

SYDNEY, AU, Feb 1, 2023 – (ACN Newswire) – Australian media intelligence company, Truescope, has strengthened its position in North America by acquiring leading agency, Universal Information Services (UIS).


Todd Murphy, Truescope President, North America & John Croll, Truescope Co-founder and CEO


Founded in 2019 and now operating in Singapore, New Zealand, and North America, Truescope is experiencing rapid growth in all markets – a commercial response to the company's advanced SaaS platform, product innovation and experienced people. The acquisition of UIS will immediately welcome many hundreds of clients to the Truescope solution, with the integration of services presently underway.

UIS is led by industry authority, Todd Murphy based in Omaha, Nebraska. The competitive media intelligence agency has a rich heritage and proud reputation for its service-first approach, and as a trusted partner to businesses and communication professionals across the United States.

Truescope co-founder and CEO, John Croll, said the acquisition was a significant move to accelerate growth in the large US media intelligence market, which he believes has been underserved for some time and is ready to evolve through innovation.

"Truescope has been active in the US for almost a year and the response we have had to our platform has been overwhelmingly positive" he said. "Todd's leadership, the Universal team's decades long local expertise and loyal client base, coupled with Truescope's technology, will enable us to deliver a powerful and truly unparalleled service that will help better inform communications," said John.

Following the departure of Meg Crumbine in late 2022, Todd Murphy will take on the role of Truescope President, North America, effective immediately, with his first strategic priority being to oversee the UIS integration.

Todd is enthusiastic about the opportunities ahead for the new alliance saying, "John's vision and ability to build game-changing tech is the perfect alignment for the evolution of not only Universal's clients but the media intelligence industry, broadly. I'm thrilled to be leading the company and delivering a truly superior service never before seen," he said.

Migration of UIS clients to the Truescope platform is currently underway, with the merger of the UIS brand and business to Truescope to take place over the coming months.

For media information or to interview John Croll and/or Todd Murphy, contact:
Shelley Hammond | shelley@oneroofagency.com.au | +61 427 547 898

About Truescope
Truescope was founded in Australia to better inform communications. Our people and technology deliver real-time, actionable media intelligence and information to clients across Asia, New Zealand, and the United States. Visit www.truescope.com for more.

Copyright 2023 ACN Newswire. All rights reserved. http://www.acnnewswire.com

The 5th Hong Kong Public Relations Awards 2023 Set to Kick Off Soon

HONG KONG, Jan 4, 2023 – (ACN Newswire) – The Hong Kong Public Relations Professionals' Association (PRPA) today announces that the 5th Hong Kong Public Relations Awards (HKPRA) will soon kick off and enrolment will open with a briefing session in January 2023.




As a flagship event for the public relations industry since its inception in 2010, HKPRA aims to recognise organisations, teams and individual public relations practitioners who have planned and executed excellent and highly effective public relations campaigns that have contributed to the organisations they serve.

Ms Agnes Hui, President, Hong Kong Public Relations Professionals Association says, "We are excited to announce that HKPRA is back since it was last held in 2018-2019. Special thanks are due to Dr John Chan, Professor Anthony Wu, Mr George Yuen and Dr Linda Tsui who have agreed to continue their leading roles in the Organizing Committee and Panel of Judges spearheading HKPRA, along with a strong line up of judges for different award categories, adding weight to the credibility and authority of HKPRA.".

HKPRA contributes to raising public awareness of the role of public relations in helping organisations achieve their goals through fostering better understanding and improving relations between organisations and their stakeholders. At the same time, HKPRA helps raise professional standards of public relations practitioners in Hong Kong and plays an important part in fostering the development of the business community, government bodies, non-government organisations and the Hong Kong community at large.

Dr John Chan, Chairman, Organising Committee of HKPRA 2022-23, said: "HKPRA has been very well received and strongly supported by the PR industry. The Awards have seen continual enhancement in the content, format and depth of the entries. Among them many demonstrated execution excellence and remarkable achievements that deserve much recognition."

"Hong Kong and its people have gone through some unprecedented challenges recently and the corporate communications function has been playing a significant role especially during the pandemic period. In view of that, we have added a new category to the Awards this time to reflect the diversity," added Dr Chan.

In addition to the "Public Relations Campaign" and "Individual" awards given in previous years to recognize industry peers, "Student" awards are added to the 5th HKPRA with a view to nurturing the next generation of public relations professionals and fostering knowledge transfer within the industry.

Stay tuned for further announcements from PRPA on the "Hong Kong Public Relations Awards".


Copyright 2023 ACN Newswire. All rights reserved. http://www.acnnewswire.com

GHY and Curtin University Sign MOU to Jointly Shape the Next Generation of Media & Film Talents in the Region

Singapore, Dec 8, 2022 – (ACN Newswire) – G.H.Y Culture & Media Holding Co., Limited ("GHY", and together with its subsidiaries and its PRC Affiliated Entities, the "Group"), a leading diversified group in Asia's media and entertainment industry, is pleased to announce that G.H.Y Culture & Media (Singapore) Pte. Ltd., a subsidiary of GHY, has signed a non-binding memorandum of understanding ("MOU") with a world-renowned education establishment, Curtin University, for an academic collaboration in higher education programs in Asia related to media and film studies.

Under the MOU, both parties have agreed to (i) discuss opportunities for education-industry collaboration and work- integrated learning programs, (ii) explore development of a global major and cross-campus industry-integrated learning programs, (iii) exchange information relating to activities in fields of mutual interest and (iv) provide the students of Curtin with mobility opportunities.

Curtin University is an innovative, global university known for its high-impact research, strong industry partnerships and commitment to preparing students for jobs of the future. Curtin University is one of the top universities worldwide and it has campuses in Western Australia, Singapore, Malaysia, Dubai and Mauritius.

Since its establishment, GHY has placed a strong emphasis on identifying, nurturing and promoting talent in the media and film industry across Southeast Asia. While providing access and valuable exposure of its end-to-end production capabilities, GHY has also initiated various tie-ups with industry leaders and education institutions to provide more opportunities for aspiring talents to directly learn from industry professionals and gain practical experience in this niche industry.

In addition, the Group has been expanding its portfolio of entertainment content and products, with diversification into new growth adjacencies such as musicals and its first-ever immersive live action game based on GHY's "Strange Tales of Tang Dynasty" drama series.

Supported by a robust balance sheet with a net working capital of approximately S$130.1 million as at 30 June 2022, the Group is well-positioned to capture organic and inorganic growth initiatives, to capture the recovery and to bring sustainable long-term returns to shareholders.

Mr. Guo Jingyu, Executive Chairman and Group CEO, said, "New media consumers in Asia are dominated by younger demographics and the method of their media consumption is shifting from the big screen to their mobile phones with various forms of personalisation.

To better prepare and equip students for the future trends in the media and film industry, both GHY and Curtin University share a common vision to provide a structured higher-learning platform so as to develop Asia's talent pool and technology in the media and film industry to become one of the best in the world.

With GHY's strong in-house production capabilities and established industry network, there will be more opportunities for industry exchanges and on-the-job training programs for students under this academic collaboration.

For GHY, this is part of our initiatives to have an increasingly regional relationship and impact, strengthening our linkages with Asia through education and technology that are interconnected with our diversified business model within Asia's media and entertainment industry."

Professor Richard Blythe, Pro Vice-Chancellor, Faculty of Humanities, Curtin University, said, "The MOU would offer new opportunities for students to gain invaluable real-world experience. This exciting new industry-education collaboration will bring together Curtin's long-standing and successful screen arts expertise with GHY's strong in- house production skills and clear industry connections."

Professor Blythe added, "We are delighted to be working with GHY Culture and Media to help develop and foster the next generation of media and film industry stars across Asia."

About G.H.Y Culture & Media Holding Co. Ltd. (SGX: XJB; Bloomberg: GHY:SP)

Listed on the Mainboard of the Singapore Exchange, G.H.Y Culture & Media Holding Co., Limited ("GHY" or the "Group") is a leading diversified group within Asia's media and entertainment industry. GHY has produced several dramas and films in the People's Republic of China ("PRC"), Singapore and Malaysia that have been broadcasted and/or distributed on major TV networks and leading video streaming platforms in the PRC. The Group has also undertaken the production of concerts for well-known international artistes in Singapore, with upcoming concerts to be held in Singapore, Malaysia and Australia.

GHY has strong in-house production teams, with scriptwriters, directors and producers who have been involved in various notable dramas and films. The production teams have consistently produced quality dramas and films and the Group also possesses expertise and capabilities across the business value chain.

Currently headquartered in Singapore and the PRC with over 170 employees, the Group also engages in concert production, talent management services, and costumes, props and make-up services.

For more information, please visit https://ghyculturemedia.com/

About Curtin University

Curtin University is Western Australia's largest university, with close to 60,000 students. In addition to the University's main campus in Perth, Curtin also has a major regional campus in Kalgoorlie, and a campus in Midland, as well as four global campuses in Malaysia, Singapore, Dubai and Mauritius. Curtin staff and students come from Australia and over 120 other countries around the world, with half its international students studying at Curtin's offshore campuses.

Curtin is ranked between 9th to 18th in Australia according to the Academic Ranking of World Universities (ARWU) 2022 and has achieved a QS Five Stars Plus rating, the highest available for a tertiary institution, and one of only eight to do so in Australia.

The University has built a reputation around innovation and an entrepreneurial spirit, being at the forefront of many high-profile research projects in astronomy, biosciences, economics, mining and information technology. It is also recognised globally for its strong connections with the industry, and for its commitment to preparing students for the jobs of the future.

For further information, visit curtin.edu.au.

This press release should be read in conjunction with the announcement uploaded on SGXNet on 8 December 2022.

DBS Bank Ltd. and UOB Kay Hian Private Limited are the joint issue managers and global coordinators (the "Joint Issue Managers and Global Coordinators") for the initial public offering of shares in, and listing of, G.H.Y Culture & Media Holding Co., Limited on the Main Board of the Singapore Exchange Securities Trading Limited. The Joint Issue Managers and Global Coordinators assume no responsibility for the contents of this announcement.


For media and analysts' queries, please contact: 8PR ASIA Pte Ltd
Alex Tan
T: +65 9451 5252
E: alex.tan@8prasia.com

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

In-person InfoComm Southeast Asia 2022 in Bangkok, Thailand Ups the Game for All in the New Business Landscape

BANGKOK, Nov 14, 2022 – (ACN Newswire) – The 3-day InfoComm Southeast Asia 2022 at the Bangkok International Trade and Exhibition Centre (BITEC) came to a close on 4 November 2022. Returning in-person for the first time since its launch in 2019, Asia's premier Professional AudioVisual (Pro-AV) and Transformative Technology Exhibition and Summit saw exhibitors, visitors and delegates from 22 countries. It was non-stop action across the Exhibition show floor and the various Summit session venues.



"The enthusiasm we saw among our exhibitors and visitors was striking," said Richard Tan, Executive Director of InfoCommAsia. "Amidst the impressive array of technological developments were intensive personal conversations and exciting forward-looking collaborations. The Pro-AV industry continues to undergo vast transformation and rapid development, and InfoComm Southeast Asia is one of the key marketplaces to make new connections."

6,593 visitors came to InfoComm Southeast Asia 2022, with the majority arriving from Indonesia, Laos, Malaysia, the Philippines, Singapore, Thailand and Vietnam. The Show also welcomed visitors from the rest of Asia, including China, India, Japan and South Korea. It was clear that the whole of Asia is ready to transform and seize the unprecedented opportunities in this post-pandemic era. And they were in for a treat with this year's event highlights – many of which would not have been possible without the support from our 138 partners, including government agencies as well as industry and technology associations.

INSPIRATIONS ON THE SHOW FLOOR

130 exhibiting companies from 18 participating countries showcased a wide array of innovative AV-driven technologies and solutions that businesses could tap on to transform, gain lead and be ready for marketplace trends. 41 exhibiting companies participated in the Show for the first time, including brands like Adder Technology, Black Box, Bose, Christie Digital Systems, Jabra, Microsoft Teams, Riedel, Vega Global, and more. Among the cutting-edge innovations on show, there were 174 new product launches.

Solution-seekers in industries ranging from education to transportation, hospitality to healthcare, retail to enterprise, could find the answers they need at InfoComm Southeast Asia 2022.

Exhibitor Claude Sabourin, Business Development Director, SCHOT, beamed as he shared, "We had many consultants and owners of businesses visit our booth – the people who are really decision-makers or influencers, and that's very good. These visitors were from Korea, Japan, Vietnam, Cambodia, Indonesia – different parts of Asia. The wide reach we achieved was good."

PRO-AV SOLUTIONS LIVE IN ACTION – THE SHOW HIGHLIGHTS

The Future of Immersive Experiences added a multi-sensory dimension to the visitor experience. This 15×5- square-metre walk-though gave visitors a glimpse into the future of visual and immersive storytelling, which converges art, technology and sensory experiences. "The Gateway to the Metaverse" featured real- time generative effects based on user interaction; "The Next-level of Projection Mapping" brought a car- like object to life with effects and animation; and "A New Holographic Experience" showcased the Pro-AV technology that is increasingly applied in the Location Based Experience (LBX) industry, such as experience centers, theme parks, theatres and live performances. This entire space was fully designed, system-built and integrated by Vega Global, in partnership with disguise, and with equipment contributions from Christie, Panasonic, BenQ and Lighting & Equipment.

The off-site AV Technical Tour on Day 2 – fully-booked weeks before the Show opened – offered a first- hand experience to see AV technology at work. Dozens of visitors were given the valuable opportunity to visit the Expressway Authority of Thailand (EXAT). The "Smart Traffic Systems – Expressway Traffic Management Centre and Control Rooms" tour took them into the very heart of command-and-control scenarios, to see how advanced technologies and control systems have enabled the EXAT to effectively and efficiently provide the best experience for expressway users.

HOSTED AND PERSONALISED ENGAGEMENT

Through the Invited Guests Program, InfoComm Southeast Asia specially invited and hosted 252 key and senior decision-makers from Indonesia, Laos, Malaysia, the Philippines, Singapore and Vietnam. Many came from government agencies involved in education, healthcare, security, defense, transportation and citizen services. Others were key industry leaders in retail, media and advertising, and real estate development. Guided tours around the show floor with personal introduction to leading solution providers paved the way for further engagement thereafter.

"My organization is embarking on a new project that requires new Pro-AV solutions in the next 12 to 24 months, and this visit to InfoComm Southeast Asia was very timely because I was able to obtain all the relevant information I need and also explore the wide selection of products and solutions," said Mat Amir Bin Yaacob, Senior Engineer, Ministry of Defence, Malaysia.

Elmer Francisco Sarmiento, Undersecretary for Maritime, Department of Transportation, Philippines enthused, "There were many new advanced technologies at the Show that could help drive digital transformation within the government. I've also seen many products and solutions embedded with artificial intelligence that would be very useful in ensuring the smooth running of government functions."

THE SUMMIT FOR INFORMED BUSINESS DECISIONS WITH INVALUABLE INSIGHTS

Free-to-attend learning sessions were delivered under various tracks – Asia AV Leaders Connect, AVIXA Seminars, AV Managers Day, Industry Forums, and Plenary – targeted at different delegate profiles.

Learning sessions under the concurrent 2-day NIXT Summit provided another application perspective as it focuses on end-to-end emerging tech solutions for businesses. A total of 32 sessions were organized, and some were in collaboration with industry associations, including Association of Thai Software Industry and Museum Association of Thailand.

EXTENDED SOLUTION DISCOVERY – POST-SHOW BENEFITS

Months before the InfoComm Southeast Asia 2022, visitors were introduced to the intuitive business matching system, information-rich vBooth (every exhibitor has a one-page microsite to showcase their full and on-show offerings), business card drop facility and appointment scheduler – tools on the Show website that facilitated self-personalized engagement with solution providers.

Solution-seekers who fully utilized these tools found their time at the Show highly productive and efficient. For visitors who missed connecting with solution providers they intended to meet onsite, InfoComm Southeast Asia is availing these tools for another two months post-Show.

The 2022 Show may be over, but the benefits it brings to growing businesses continue.

INFOCOMM ASIA 2023 – A WIDER MARKETPLACE

"Speaking with the InfoComm team, I hear that the Show will be expanded next year to become InfoComm Asia," Matthew Deayton, Deputy Chief Executive Officer, Vega Global added, "This means we will get even more visitors to our booth coming from northern countries like Japan and South Korea, and South Australia and New Zealand as well. I feel this Show will become a real centerpiece for the Asia-Pacific market."

InfoComm Asia, as this show will be renamed from 2023, will play an increasingly important role in providing a platform for global manufacturers interested in developing a strong presence in the Asia-Pacific market to congregate at one place where their companies can be introduced or their latest solutions can be revealed, and where they can invite their customers from all over the region to experience their innovations – while enjoying the inexpensive hospitality of Bangkok.

InfoComm Asia 2023 will run from 24-26 May 2023 at the Queen Sirikit National Convention Center (QSNCC), Bangkok, Thailand. Admission is free. For more information and the latest updates, please visit www.infocomm-asia.com.

About InfoCommAsia

InfoCommAsia Pte. Ltd. is the region's preeminent organizer of tradeshows for the Professional AudioVisual (Pro-AV) and Transformative Solutions industries. Through industry-leading shows in China, India and Thailand, InfoCommAsia connects global and regional solution providers, vertical market end-users and the supply chain with the most important markets of Asia Pacific.

Additional information is available at:
infocomm-china.com | nixt-china.com | infocomm-india.com | infocomm-asia.com

For more information, please contact:

Rest of the World
Angie Eng, Marketing Director
InfoCommAsia Pte Ltd
angieeng@infocommasia.com

Thailand
Kanokwan Sukchaisr,i Managing Director
Expo Inter Co., Ltd
kanokwan.infocommasia@expointer.net

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

A Focus on Content and the Consumer is the Key Driver for Growth and Sustainability in Asia

Singapore, Nov 7, 2022 – (ACN Newswire) – The annual marquee event of the Asian video industry, the Asia Video Summit, returned in full swing, hosting over 300 delegates in person and online as a hybrid conference, amidst a time of immense innovation and disruption in the video industry.



The Summit opened with clear views from industry stalwarts, Henry Tan, Group CEO, Astro, Clement Schwebig, Chairman, Asia Video Industry Association (AVIA), and Vivek Couto, Executive Director, Media Partners Asia, that a return to profitability and a focus on revenue was much needed for sustained growth across Asia. Though Asia was a huge but diverse and difficult market, there was no doubt certain markets will continue to grow, said Couto. However, disruption was going to continue for the next few years, added Tan, and all players had to be prepared for a rollercoaster ride.

James Gibbons, President & Managing Director, Western Pacific, Warner Bros. Discovery, also shared his views on the massive changes that the industry had gone through over the last decade. While there used to be a real emphasis on subscriber growth, and the belief that the market for subscription video-on-demand was infinite, a business without an advertising component was no longer meaningful. A wholesale reassessment of how to assess the growth and value of a company was now needed. And content was no longer an individual line of business, but represented an entire franchise opportunity that enabled businesses to build a special relationship with their consumers across all touchpoints.

This focus on content certainly resonated through the Summit. For Donovan Chan, Founding Partner, Beach House Pictures, sticking to premium programming that was efficiently produced at a high quality to deliver on what the audiences want and need was a key part of his strategy to move more content from East to West. Kirana Cheewachuen, Deputy Director, Planning & Business Development, Strategic Content Group, True Corporation, also added that with Korea leading in script development, there was also a need to attract and develop the right talent in order to discover the secret sauce behind the success of Korean content, and hopefully replicate it in other parts of Asia.

However, while content was king, it was not an 'either or' situation, it needed to be across content, activation, distribution, and pricing, said Manish Kalra, Chief Business Officer, ZEE5 India. Leading on to rebundling, Ricky Ow, Partner, Quest Ventures, also shared that it was not 'one size fits all' and that there was a need to meet personal consumer demand and at a price point that made sense. There was also the need to solve this problem as a benefit to consumers as well as content providers, for less churn and more sustainability. For Clarissa Tanoesoedibjo, Managing Director, Vision+, aggregation was the way moving forward, with more integration across the ecosystem.

The topic of sustainability was certainly one that reiterated with the panellists this year as well. Chris Sewell, Founder, Net Zero Media, felt that more verifications and guidelines were needed around businesses to help people make informed decisions. Similarly, Esther Peh, Associate Director, Public Policy, Asia, Warner Bros. Discovery, also said that while there were industry wide tools to help take the first step towards being more conscious about your footprint and being more aware of the environmental impact, it was still very much at the nascent phase, and it was important for industry stakeholders and partners to come together. For Globe Telecom, Apple Evangelista, Head, Sustainability and Social Responsibility, while it was becoming a standard in the way they did business, there was also a need to reduce value chain emissions, both upstream and downstream, with the next step being customer education after greening the value chain.

On the advertising front, stakeholders too needed to come together as there was certainly enormous opportunity for growth in the OTT advertising space, which was currently under-indexed in Asia. While OTT was the natural evolution of TV, Elaine Tan, Head of Sales, Southeast Asia, International Business Department – Advertising, iQIYI International, felt that OTT was not quite mainstream as yet and there was still a lot of room to grow in the premium space especially with premium Asian content. "If we bring the content that users want, the growth will follow," said Tan, with the advertising dollars following suit as well after.

And though TV was evolving to OTT and Connected TV(CTV), for Alex Lowes, Vice President, Client Engagement and Growth, APAC, Finecast, the one commonality was that they were both addressable premium broadcast quality content. And with addressable TV becoming part of an omnichannel strategy, addressable TV was the future. However, a key challenge that still remained for Kanika Manglik, Regional Managing Partner, Investments Strategy, Mindshare, was the adoption of unified measurement.

Despite these challenges, there was still much positivity among the panellists. Vignesh Narayanan, CEO, Airtel Ads, shared his prediction that US$200M was the addressable opportunity in India on the table over the next 2 years. Summing it up, Alysha Dino, Senior Director, Global Business Development, Publica, added that with 50% of viewers in Southeast Asia watching content online, this was a transforming time in the industry in Asia Pacific, to make these challenges into a good opportunity.

The Asia Video Summit is proudly sponsored by Gold Sponsors Brightcove, BytePlus, INVIDI, PubMatic, Tencent Cloud, TV5MONDE, Silver Sponsors AsiaSat, Broadpeak, Dolby, Edgio, Gracenote, InvestHK, Irdeto, Magnite, MEASAT, Mirada, NAGRA, SES, Synamedia, YouTube. Create Hong Kong of the Government of the Hong Kong Special Administrative Region as the Lead Sponsor supports the Community Outreach Programme that provides complimentary passes for local video and creative industries-related SMEs and tertiary students to participate in the virtual Summit. Complimentary in-person Mentoring Workshops will also be held on 10 November to provide insightful tips about the media industry.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

About Create Hong Kong

Create Hong Kong (CreateHK) is a dedicated office set up by the Government of the Hong Kong Special Administrative Region (HKSAR Government) in June 2009 to spearhead the development of creative industries in Hong Kong. From 1 July 2022 onwards, it is under the Culture, Sports and Tourism Bureau. Its strategic foci are nurturing talent and facilitating start-ups, exploring markets, and promoting Hong Kong as Asia's creative capital and fostering a creative atmosphere in the community.

For media enquiries and additional background information on Asia Video Summit 2022, please contact:
Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
Website: www.avia.org
|LinkedIn: www.linkedin.com/company/asiavideoia |Twitter: @AsiaVideoIA


Disclaimer: Create Hong Kong of the Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, Create Hong Kong, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Asia Video Summit Returns in 2022 with a Focus on a Future of Growth and Sustainability in Asia

Singapore, Oct 25, 2022 – (ACN Newswire) – The annual marquee event of the Asian video industry, the Asia Video Summit (https://asiavideosummit.com), will return as a full hybrid event this year on 1-2 November 2022, with physical events in both Hong Kong and Singapore, as well as a live stream of all sessions to be made available on its interactive event platform.




The Asia Video Summit is organized by Asia Video Industry Association (AVIA) with Create Hong Kong of the Government of the Hong Kong Special Administrative Region as the Lead Sponsor. The aim of the Asia Video Summit (Summit) is to tell a holistic story of the state of the video industry, looking at all aspects of it and articulated by its decision makers, to provide its delegates with a comprehensive view of the state of the video industry today.

In the post-COVID-19 era, media and entertainment companies have been the darlings of Wall Street. This narrative has recently changed, however, and arguably irrational exuberance has given way to irrational pessimism. But is the streaming business model fundamentally flawed, or is this just a recalibration in an era of inflation and post-pandemic trauma? How do the trajectories of investment vs monetization balance each other? And where does Asia sit compared to other parts of the world? Do subscriber numbers foretell a golden period of growth in Asia that can counter negative narratives from the West?

At this year's Summit, we will be speaking to the people who are determining the future of the video industry in Asia. Besides the State and Future of the Video Industry, we will also explore the growing role and Advance of Advertising, the technology Behind the Customer Experience, a detailed look at the role of News and Sports today and the burning topic of Environmental Sustainability.

Some of the key speakers of the Summit include:
Saugato Banerjee, Managing Director Asia, A+E Networks
– Johan Buse, Chief, Consumer Business Group, StarHub
– Kirana Chew, Deputy Director, Planning & Business Development, Strategic Content Group, True Corporation
– Vivek Couto, Executive Director, Media Partners Asia
– James Gibbons, President & Managing Director, Western Pacific, Warner Bros. Discovery
Phil Hardman, Senior Vice President & General Manager, Asia, BBC Studios
– Nicholas John, Vice President, Head of Sports, Astro
– Manish Kalra, Chief Business Officer, ZEE5
– Mike Kerr, Managing Director Asia, beIN Asia Pacific
– Sidd Mantri, Head of Product – Developing Markets, Disney Streaming
– Vignesh Narayanan, Chief Executive Officer, Airtel Ads
– Parminder Singh, Chief Commercial Officer & Chief Digital Officer, Mediacorp
– Jay Yang, Chief Executive Officer, TVING
– Nini Yusof, Deputy Chief Executive Officer, Media Prima Television Networks

Join us in person at the Asia Video Summit 2022, where, bull or bear, optimist or pessimist, we will ask those who are making the decisions and deciding the destiny of the Asian video industry the hard questions all of us are thinking. All sessions of the Summit will also be livestreamed on the event platform. For more details of this year's Summit programme and speakers, visit www.asiavideosummit.com

The Asia Video Summit is proudly sponsored by Gold Sponsors Brightcove, BytePlus, INVIDI, PubMatic, Tencent Cloud, TV5MONDE, Silver Sponsors AsiaSat, Broadpeak, Dolby, Edgio, Google, Gracenote, InvestHK, Irdeto, Magnite, MEASAT, Mirada, Nagra, SES, Synamedia. Create Hong Kong of the Government of the Hong Kong Special Administrative Region as the Lead Sponsor supports the Community Outreach Programme that provides complimentary passes for local video and creative industries-related SMEs and tertiary students to participate in the virtual Summit. Complimentary in-person Mentoring Workshops will also be held on 10 November to provide insightful tips about the media industry.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

About Create Hong Kong

Create Hong Kong (CreateHK) is a dedicated office set up by the Government of the Hong Kong Special Administrative Region (HKSAR Government) in June 2009 to spearhead the development of creative industries in Hong Kong. From 1 July 2022 onwards, it is under the Culture, Sports and Tourism Bureau. Its strategic foci are nurturing talent and facilitating start-ups, exploring markets, and promoting Hong Kong as Asia's creative capital and fostering a creative atmosphere in the community.

For media enquiries and additional background information on Asia Video Summit 2022, please contact:

Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
Website: www.avia.org |LinkedIn: www.linkedin.com/company/asiavideoia |Twitter: @AsiaVideoIA


Disclaimer: Create Hong Kong of the Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, Create Hong Kong, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

InfoComm Southeast Asia Back In-person

BANGKOK, Oct 14, 2022 – (ACN Newswire) – InfoComm Southeast Asia which debuted in 2019 was a huge success. Now, after the Covid-resultant pause, the Show is back – as an in-person show, with access to new pre-show planning and engagement tools that will enhance the visitor experience. InfoComm Southeast Asia 2022 will take place from 2 to 4 November at the Bangkok International Trade and Exhibition Centre (BITEC).



InfoComm Southeast Asia is the region's premier Professional AudioVisual (Pro-AV) and Transformative Technology tradeshow, featuring trailblazing international and local solution providers. Powerful solutions on show and insightful learning sessions cater to a spectrum of industries, including the government sectors of transportation, public security and defense, education, healthcare, hospitality, retail, and others.

The Show specially caters to AV industry players as well as embedded technology decision-makers and business end-users. For these stakeholders who are serious about transforming their organization and growing their business in and beyond the post-pandemic landscape, this is a show not to be missed.

"After the 2-year hiatus due to the global pandemic, InfoComm Southeast Asia is happy to once again bring together Pro-AV technology providers and business users; technology experts, industry leaders and open minds ready to learn," said Richard Tan, Executive Director of InfoCommAsia. "Much has changed in terms of available tech-enhanced solutions and marketplace needs and trends. So, besides the opportunity for all stakeholders to reconnect face-to-face, InfoComm Southeast Asia 2022 is going to be an exciting space for visitors and delegates as they get up close and personal with exhibitors and experts – the drivers of tomorrow's technology and solutions. The Show is the place to seek out the most advanced Pro-AV ideas to-date, to create and deliver an exceptional customer experience in an increasingly hybrid world."

THE EXHIBITION
Transformative Solutions for All Industries

The world has just begun to emerge from a painful yet revitalizing lesson. It has learnt the urgency of technology adoption and the importance of constant upgrading along with technological evolution, to be future-ready and disruption-proof. Increased technology implementation and integration lead to greater reliance on artificial intelligence (AI) to mitigate the consequent increase in security risks. This reality is already fast unfolding, driven by Pro-AV technologies, making InfoComm Southeast Asia an important show for AV and IT professionals and business decision-makers.

InfoComm Southeast Asia is where entrepreneurs, business leaders and technical professionals will discover the latest Pro-AV solutions that are transforming every industry. More than 130 exhibiting companies from over 20 participating countries will gather under one roof to showcase their innovations for the post-pandemic marketplace. These include brands like Epson, Lenovo, Microsoft, Panasonic, Philips, and more. Visitors can expect to see:

– Large screen, projection mapping, AR/VR solutions
for live events, museums, education and simulation training
– Security, flood and surveillance monitoring systems for network operations centers
– Control and automation solutions for smart city management
– Room automation and centralized systems for smart homes and offices
– Collaborative conferencing systems for in-person and hybrid meetings
– Smart classrooms
– Digital signage and display solutions for advertising and information
– Virtual and hybrid learning solutions
…and more

DISCOVER SOLUTIONS WITH vBOOTH
Pre-Show Engagement for Better Show Experience

To enhance show experience for visitors, InfoComm Southeast Asia has introduced facilitative tools on the Show website. These tools will allow solution-seekers to identify exhibitors that have those solutions, and connect with them.

– An intuitive business matching system instantaneously presents visitors with a list of exhibitors, based on their industry and the solutions they seek.
– vBooth gives every exhibitor a dedicated page online, where visitors can explore the exhibitor's solutions via multimedia presentations. Information will include the exhibitor's range of solutions as well as products and solutions being presented at the Show.
– Business card drop facility lets visitors leave their details for callback by exhibitors, and appointment scheduler allows visitors to pre-arrange meet-ups with exhibitors at the Show.

All these will help visitors organize their visit way before the Show begins. Fully-utilised, visitors can look forward to a productive time at InfoComm Southeast Asia 2022.

THE SUMMIT
Insights into Developments and Trends for Informed Business Decisions

Concurrent to an exciting show floor is the InfoComm Southeast Asia 2022 Summit line-up. Multiple conference tracks cater to different industries and learner profiles. Delegates can look forward to more than 30 free-to-attend learning sessions in the form of keynotes, panel discussion and case studies.

Tracks for Vertical Market Solution-seekers and AV Professionals
– The two-day NIXT Summit focuses on end-to-end emerging tech solutions for businesses. Sessions delve into the successes and challenges of digital transformation practices in industries and enterprises.

Tracks for AV Professionals and Technology Decision-makers
– AVIXA Seminars help AV professionals stay in touch with technical updates, industry practices and trends across various industries and application scenarios.
– Asia AV Leaders Connect (By invite-only) gathers the AV industry's C-suite and directorate leaders across Asia for the exchange of intelligence; discussions on geopolitical and economic concerns as well as emerging technology trends and disruptions; and identification of growth opportunities.
– AV Managers Day sessions are designed for mid-level AV managers and use real-life case studies to delve into AV project challenges and how to overcome them.

There is also the AV Technical Tour which offers an opportunity to see Pro-AV solutions in situ. The "Smart Traffic Systems — Expressway Traffic Management Centre and Control Rooms" tour will take delegates into the very heart of command and control scenarios, where condition monitoring, situational management, emergency response, etc are critical. Visitors can learn how advanced technologies and control systems enable the Expressway Authority of Thailand to effectively and efficiently provide the best experience for expressway users.

For the full Summit line-up and latest updates, please visit the official Show website at www.infocomm-sea.com.

REGISTRATION IS OPEN
Admission to Exhibition and Summit is Free

InfoComm Southeast Asia 2022 will be at BITEC from 2-4 November (Days 1 and 2: 10am – 6pm; Day 3: 10am – 4pm local time). Visitors can register to visit the Show at www.infocomm-sea.com. Admission is free.

About InfoCommAsia

InfoCommAsia Pte. Ltd. is the region's preeminent organizer of tradeshows for the Professional AudioVisual (Pro-AV) and Transformative Solutions industries. Through industry-leading shows in China, India and Southeast Asia, InfoCommAsia connects global and regional solution providers, vertical market end-users and the supply chain with the most important markets of Asia Pacific.

Additional information is available at:
infocomm-china.com | nixt-china.com | infocomm-india.com | infocomm-sea.com

For more information, please contact:
Rest of the World
Angie Eng
Marketing Director
InfoCommAsia Pte Ltd
angieeng@infocommasia.com

Thailand
Kanokwan Sukchaisri
Managing Director
Expo Inter Co., Ltd
kanokwan.infocommasia@expointer.net

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Indonesia Market Poised for Big Growth in Streaming

JAKARTA, Oct 11, 2022 – (ACN Newswire) – For the first time in three years the Asia Video Industry Association (AVIA) returned to Jakarta to host Indonesia in View 2022, an event that welcomed some of the industry's biggest players for a day of discussions dissecting the opportunities for growth in this expansive market.

Opening comments were made by Yuliandre Darwis, Commissioner with the Indonesian Broadcasting Commission (KPI) who talked about the development of the KPI over the last twenty years, and the hope for revisions to the broadcasting law which could see greater responsibilities given to them.

Highlights of the Indonesia in View Report, to be published by AVIA, were given by Bettina Cavenagh, President Director, Clarity Research Indonesia, outlining the state of Indonesia's video markets in the post-pandemic economy. Pay television had plateaued and while DTH services were the biggest victims of increased broadband penetration, cable numbers were increasing meaning the overall pay TV market remained significant, even if ARPU's were under pressure. But all eyes were now on the premium OTT market. Subscription Video on Demand (SVOD) has grown by more than 50% from 2020 to 2021, to 11.5M subscribers, while digital advertising grew by 33% over the same period. This set the scene for much debate throughout the conference on the relative merits of the subscription versus the advertising led business model for OTT.

In a conversation around growth and monetization, Hermawan Sutanto, COO of Vidio talked of the need to educate the market to pay for premium OTT services and Guntur Siboro, Country Head for Lionsgate Play further made the point that ad supported VOD (AVOD) was a different ballgame which required significant investment to monetise successfully. Whatever the business model, Avijit Duta, Deputy Country Manager for Viu, emphasized the need for the business to be sustainable and everyone was witnessing rising production costs as the production talent pool was still limited today.

In his keynote conversation, Sutanto Hartono, Managing Director of EMTEK and CEO of SCM and Vidio, discussed Vidio's emphasis on local originals and live sports as differentiators in their quest to acquire customers and keep churn down. While sports rights were expensive and not owned in perpetuity, they played a crucial role in a growth strategy. Marlo Budiman, CEO & President Director, Link Net, later added that while the pay TV market had plateaued, its death knell had not quite sounded yet and also attributed this to the role of sports and original content keeping OTT churn low.

Clarissa Tanoesoedibjo, Managing Director of MNC's Vision+, also talked about the importance of local original content and that Vision+ was increasing their investment in this sector for the service. She also pointed out that while Vision+ was primarily subscription led, the accompanying RCTI+ service was advertising led.

There was little doubt about the importance advertising played in the growth prospects for the market when Gavin Buxton, Managing Director, Asia for Magnite, Florencia Eka, Country Manager, Client Services, for The Trade Desk, and Lesley Simpson, Country Manager for WeTV and iflix Indonesia, got together. They agreed that OTT was the natural evolution of TV and provided unique opportunities for digital advertisers given the engagement with viewers. And while fragmentation of services was an issue, it was clear that there was more than enough scale in premium OTT as they looked forward to sustained growth in the sector.

Indonesia in View is generously sponsored by Gold Sponsors A+E Networks, Vidio and Vision+ and Silver Sponsors Akamai, Broadpeak, CDNetworks, Conviva, INVIDI, Irdeto, NAGRA, SES, TV5MONDE and YouTube.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and satellite ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. The AVIA is the interlocutor for these industries with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

For media enquiries and additional background, contact:
Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
Website: www.avia.org
LinkedIn: www.linkedin.com/company/asiavideoia
Twitter: @AsiaVideoIA

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Let’s Roll! Dallas Startup is Revolutionizing the Music Industry

DALLAS, TX, Oct 11, 2022 – (ACN Newswire) – Rock 'n roll may be dead, but the music business is still projected to grow to $142 billion by 2030 globally, according to Goldman Sachs. Despite this growth the average musician is consistently being squeezed by the big players and not earning their fair share of the value of the art they have created. Community Musician — originally a "Craig's List" for musicians — has developed a plan and formed a team to disrupt this unbalanced monopolistic system, all while ensuring that the musicians they work with are properly compensated for their talents.




Scott Arey, the CEO of Community Musician who is also the front man and songwriter for his latest band The Lost Cavaliers of Mercy, understands the struggles of the average musician in the cutthroat industry. As a young musician, Arey signed with Warner Music and began touring as a warm-up act for the Indigo Girls, but he quickly discovered he couldn't make enough money to pay his bills.

"I would max out my credit cards just trying to pay the expenses of putting together a few cities' tour, never mind trying to pay the band," Arey reminisces.

Partly due to the economic hardships he faced as a musician, Arey decided to pivot to a business career. After graduating from Stanford University, he began his career with KPMG and soon joined Bank of America where he worked for ten years, eventually becoming CFO of the Commercial Banking Division and then CFO of BofA's International Trade Bank. He then led a series of successful start-ups to growth and investor exits, such as Journey, Alsbridge, Gearbox and even a publicly traded microcap company he got NASDAQ to agree to list on their exchange.

Whether or not Arey has the ability to lead Community Musician in a way that forever alters the landscape of the music industry could be a billion-dollar question. Just before his current run of with Community Musician, Arey took a company valued at $66 million when he joined to a $1.3 billion exit in less than three years. Arey won't be alone leading the company, as he is partnering with Community Musician President Derek Toone who has also driven hundreds of millions of dollars in shareholder value — most recently at Automation Anywhere, which in 2018 had the highest Series A valuation at $1.8 billion in Silicon Valley history.

Arey believes that he has the resources and the personnel to take Community Musician to the next level.

"Derek Toone and I have individually and collectively applied sound business practices to the enterprises we've made successful, enterprises that frankly, were resistant to doing so. We are uniting musicians in common cause to pool resources and apply those resources wisely and effectively to meet the challenges all musicians face," says Arey.

While the road ahead will be a long one, Community Musician plans the start of its journey with an acquisition of Puddletown Rehearsal Studios based in Portland, Oregon, which currently has 8 buildings and 350 rooms serving a community of over 8,000 local musicians. Community Musician plans to further develop its already successful app for musicians and its patented Collectible Music Card which uses the same NFC chip that trigger high fidelity (i.e., lossless vinyl quality) recordings to play on any smartphone, with just a tap.

Nic Yannariello, who toured with bands like Tool, Filter and Rage Against the Machine, created Puddletown after he built and sold the now-iconic venue the Hawthorne Theatre. Yannariello has joined Community Musician as SVP of Operations and will run the nationwide music rehearsal studio business.

"If you're a serious musician, you either have a rehearsal space, you're sharing with someone, or trying to get off the waiting list for a space," Yannariello said. "Either way it all starts with rehearsal."

Yannariello is chopping at the bit. "You wanna rock? Then let's roll, we've got tools, we've got the talent, jump in, the water's just fine."

Web: https://communitymusician.com/
Apple App Store: https://apps.apple.com/us/app/community-musician/id1584215306
Google Play Store: https://play.google.com/store/apps/details?id=com.cm.commuscian
Source: Plato Data Intelligence: https://platodata.io

Contact Info:
Name: Bryan Feinberg
E-mail: zephyr@platodata.io
Organization: Plato Data Intelligence
Address: 144 E44th St, New York, New York 10017, United States
Website: https://Platodata.io

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com

Brawijaya University develops GIS-based IoT for disaster mitigation

Malang, East Java, Indonesia, Sep 30, 2022 – (ACN Newswire) – Brawijaya University has developed an Internet of Things (IoT) technology based on the Geographic Information System (GIS) to mitigate disasters in Pronojiwo district, an area affected by the eruption of Mount Semeru.


A lecturer on urban planning at the Faculty of Engineering of Brawijaya University, Adipandang Yudono, Ph.D., has developed an Internet of Things (IoT) technology based on the Geographic Information System (GIS) to mitigate disasters in Pronojiwo district, an area affected by the eruption of Mount Semeru. (Photo: ANTARA/HO-Humas UB)


"The data generated by IoT can be crucial information in dealing with disaster-affected areas," a lecturer of urban planning at the university's Faculty of Engineering, Adipandang Yudono, Ph.D., said here on Thursday.

After the Semeru eruption some time ago, the IoT technology was used to enter a number of data regarding the number of refugees, logistics, the distribution of survivors, the location of the post, medicines, and food, among others, he informed.

According to Yudono, during the recovery period, the GIS-based IoT technology has been used to map the condition of agriculture, livestock, as well as damaged schools in affected areas.

"This data can be used as a support system for determining areas that can be rehabilitated or determining lines for the protected areas," he said.

Meanwhile, a volcanology and geothermal expert at Brawijaya University, Prof. Sukir Maryanto, said that the IoT system can work via two methods: through human media and the use of sensors.

When using human media, the IoT works in three stages, namely entering or inputting data, which can then be managed using a database, he informed. The database is then forwarded to the operational dashboard.

The operational dashboard contains infographics on the distribution of activities, the number of activities, and their graphs. Meanwhile, electronically, the IoT inputs data based on electronic sensors installed somewhere.

"In the future, the geospatial-based IoT can be used for planning activities for the recovery of areas affected by the Semeru eruption, such as reforestation," he said.

According to the chairperson of the Independent Learning Program for the Independent Campus (MBKM), Semeru, Dr. Sujarwo, the IoT for disaster mitigation is supporting the activities of students involved in the Semeru humanitarian project.

"This (IoT) makes it easy, especially in identifying damage and providing better information, such as the number of damaged buildings and data on affected areas," Sujarwo said.

In addition to the use of IoT for disaster mitigation, the MBKM Semeru has also initiated a "school and town watching" system, which is also being carried out with the help of schools and communities.

The disaster mitigation effort in schools or "school watching" involves identifying elements in schools that are at risk, analyzing the impact of risks, and finding solutions to problems when a disaster strikes.

Meanwhile, "town watching" is a program wherein people living in an area, namely residents, children, and students, go around the area to see and identify dangerous places when a disaster occurs.

"Town watching" seeks to increase public awareness on disaster management, identify environmental and surrounding vulnerabilities, and identify community capacities or resources that can be used when a disaster occurs.

In addition, it also identifies the main problems in the community and finds solutions to these problems.

Written by: Yashinta Difa Pramudyani, Editor: Suharto (c) ANTARA 2022

Copyright 2022 ACN Newswire. All rights reserved. http://www.acnnewswire.com